Altschuler's All Shook Up

Improved Essays
In his book, All Shook Up, Altschuler traces the development of rock ‘n’ roll between 1945 and 1955 carefully noting that it is a “social construction not a musical conception” (23). This definition of rock ‘n’ roll frees him to focus on a time of differing styles, cultures, and social values. The book does this by focusing on these areas by looking at race, sexuality, and generational differences.
In Altschuler argument about race, he complicates the traditional view that white artist’s covers did damage to black artists by noting that it helped boost them by giving them more airplay and publicity. Although commonly labeled as “black music” and the addition to new segregation laws, rock ‘n’ roll also helped to challenge stereotypes among
…show more content…
He uses Boone and Clark again as people, who sought to “enhance” rock ‘n’ roll’s image and alleviated fears about sexuality and race. Yet through the toning down and expanding of youthful products for adult consumption, the rock ‘n’ roll industry was handing over economic power to teens. Altschuler suggests that rock ‘n’ roll became a key tool in the marketing of products because had remarkable influence over their parents’ product selection and purchases. Added to that was the increased purchasing power of youth themselves in the postwar era. “The relationship between youth and the modern economy changed in the 1950s,” Altschuler writes, “with rock ‘n’ roll often as a leader” (129). Because of this, rock ‘n’ roll symbolized the teetering empire of adult authority in perhaps the largest generational conflict of all. What resulted was a battle for culture. The marketing and corporate takeover and persuasion of youth preferences worried many. Investigators explored the rock ‘n’ roll industry seeking to expose a system controlled by corporations. A series of debates followed focusing on licensing profits and manipulation of demand. The effect of their efforts fell on Alan Freed. Freed was one of the most influential DJs. He was indicted on charges based on commercial bribes statutes and further investigated by the federal communication commission and the federal trade commission. The investigation ruined Freed’s life. He …show more content…
Altschuler presents rock ‘n’ roll as a part of a series of social transformations and debates at heart of American concerns during the 1950s. Rock ‘n’ roll interfaced with their concerns and suggested changes over race and

Related Documents

  • Superior Essays

    Elton John Research Paper

    • 1498 Words
    • 6 Pages

    Music and society have a large impact on each other, and how they shape the way people view and act in the world. There are four themes that identify and characterize how music has evolved over the past one hundred years. These themes also show how music affects and expresses the culture that not only we live in today, but also how we have changed in our views on numerous aspects of today’s society. The four themes that are explored directly with a specific artist and, or, band are how they impact society, politics, and several cultural issues that have stood the test of time and the way race, class, and gender are expressed in music. The development of the music industry and the technology used in it are widely affected by the change in music over decades, but also by outstanding individuals during their careers, which span over a variable amount of time.…

    • 1498 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    In the late 1940’s, a new genre of music was starting to take shape. Music artists were starting to combine different elements of country, western, and rhythm and blues (R&B) to create what would eventually evolve into rock and roll. Of these earliest artists, Bill Haley and His Comets would rise to popularity and become known as (if not, one of) the Father(s) of rock and roll. Haley was not the creator of rock and roll, but he was the one that changed rock and roll from a “ ‘virtually an underground movement, something kids listened to on the sly,’ wrote journalist Alex Frazer-Harrison. ‘This changed after ‘Rock Around the Clock.’…

    • 575 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    “Why Rap Rules and Rock Is in a Rutt,” by Robin Davey, expresses a common view among youth today: Rap music is in and Rock N’ Roll is out. Davey believes that Rock music has lost its gusto and should make way for the more relevant genre of Rap. Although I agree that Rap music is more popular and culturally relevant to our current society, I strongly disagree with Davey in regards to Rock’s inevitable demise. One of Davey’s attitudes towards Rock throughout his editorial expresses that it is a genre of music that has become spoiled and unauthentic.…

    • 911 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Often referred to the “Second Reconstruction” (Bertrand 93) It was not an immediate correction of social and racial prejudice, but progression in the right direction due to the regions outdated structure. “ As the the South’s traditional economic base shifted from agriculture to industry and its natives migrated from rural to urban settings, the region’s long- established social structure began to crumble” (Bertrand 94) After the beginning of the South’s social collapse, the Government was able to turn its focus to issues on the home front after dealing with uncertain foreign relations the previous decade. During this time, popular culture pushed the boundaries with its new genre of rock and roll. However, some “Cultural Guardians” (Bertrand 127) it chose to disagree citing that it was a mere coincidence of the times or argued that there is a distinct difference between kitsch and…

    • 789 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The teenage culture emerged in the 1950s because of several factors. First of all, the postwar prosperity provided teenagers in America with more money than ever before to taste the fruits of abundance. In addition, the expansion of public education encouraged teens to develop their own values. Noted by James Coleman in The Adolescent Society, “ They are dumped into a society of their peers, whose habitants are the halls and classrooms of their schools, the teen-age canteens, the corner drugstore, the automobile”. The Elvis ‘ music was considered unique because “ Rock music, at the time promoted a cultural intermingling at a time when social mixing was still illegal.”…

    • 574 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    It is evident that music industry and its trends has transformed throughout the ages. From the emergence of rock n’ roll in the 1950s, to the rise of disco in the 1970s, and the popularity of R&B and hip-hop in the 21st century. Although different musical movements defined different decades, the one thing that transcended through the metamorphosis of music was the topics and subjects behind the lyrics. Whether that be sex, race, love, money, or work, all artists have been singing and writing about the same themes since music itself was created. One of the most prominent and controversial issues addressed was politics and race sung through protest songs.…

    • 651 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Essay On Chicano Music

    • 461 Words
    • 2 Pages

    Many of these movements not only affected Chicano/as people but also affected the music. As historical forms, songs of the Chicano movement have assisted and will continue to assist as a historical lens through which familiar and non-familiar audiences can understand the revolutionary demands of Chicano community during the 1960s and the 1970s (Ramirez, 385). Many song lyrics disclose of topics of resistance and the journey for political justice. Chicano rock and roll musicians worked to stay away from single category genre by including rock, popular, folk, and ethnic music. While Chicanos were including different sounds of music together, the issue with identity was still present.…

    • 461 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Emma Philbin Paper #1: Appropriation 2-7-16 Rock History In the 1940s and the 1950s, the music of African American people was the supporting block for the rise of Rock and Roll music. During this time period, racial integration began happening as African Americans began moving from the South to the Northen cities, and within this we began to see cultural integration. However society still greatly held African Americans and whites segregated; and as a result music was greatly segregated as well. It was deemed by society that African American artists had a specific sound to their music and had a genre of their own.…

    • 768 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    In the book All Shook Up: How Rock ‘n’ Roll Changed America, by Glenn Altschuler, touches on the development of rock ‘n’ roll between 1945 and 1955 cautiously observing that it is a “social construction not a musical conception (Page 27).” This definition of rock ‘n’ roll gives him space to focus on arguable topics much as exploration, and, in some cases, combining of differing styles, cultures, and social values. In the book the first three chapters focus on those argued areas by looking at generation differences, race, and sexuality. In his discussion of race, he obscures the traditional view that white artists did damage to African American artists when he says that in some a way it helped lift them by giving them more radio time and publicity.…

    • 757 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The African American musicians of the late 50’s, early 60’s “bleached” their music in order to be heard by America’s youth during the civil rights movement. White artists transformed black music into hits by simply changing a few lyrics and maybe the tempo so that it would appeal more to the white, youth population. In fact, Elvis Presley, an immensely popular musician, “bleached” Willie Mae Thornton’s “Hound Dog” and transformed it into it a number one hit around the country. Another African American, Chuck Berry, performed at mixed race clubs; he would change his dialect so that it was “harder and whiter”. A while later, The Beatles took the sixties by storm.…

    • 2214 Words
    • 9 Pages
    Improved Essays
  • Improved Essays

    The 1960s was a tumultuous decade for the United States. Along with the escalation of the Vietnam War, this decade was rocked by the Civil Rights movement and the second wave of the Feminist movements, creating an immense amount of social tension. As a result, people turned to politically-charged music, predominantly Rock n’ Roll, to release their frustrations. However, an equally important musical genre, Soul, was left in the background. Despite the fact that Soul music was not as popular in the United States, artists such as Aretha Franklin released many politically-charged songs that advocated for social justice.…

    • 1445 Words
    • 6 Pages
    Improved Essays
  • Great Essays

    However, if musicans are some of the first people to do things than the rest of the population would just follow suit eventually which ends up happening within the next decade. In some album covers of the 1950’s we see that they depicte police in uniform which would have towards the middle and end of the 1950’s every citizen would have seen trying to force the laws of separate but equal upon them. In 1000 Record Covers by Michael Ochs he says that “While crooners and quartets dominated the chart, black “race” records were becoming so popular that in the early fifties Billboard Magazine had to start a separate rhythm and blues chart; and soon thereafter, rock and roll was born.” (p 32). This shows us that starting in the 1950’s more than just black people where buying records and music by black musicians and…

    • 1437 Words
    • 6 Pages
    Great Essays
  • Great Essays

    History Of Disco

    • 1658 Words
    • 7 Pages

    Throughout its years of prevalence in the popular music industry, the disco genre has always polarised opinions. The subject of some quite literally explosive protests, many have hated disco for its supposed vapidity and homogeneity, and few have defended it. I will assert that the “disco sucks” movement was a populist declaration of difference and supposedly superior taste, musical purism built on racist, homophobic and hyper-masculine ideologies. My essay will be based on ideas from Richard Dyer’s In Defence of Disco (originally published in Gay Left magazine, 1979), as well as more recent writings analysing Dyer’s work.…

    • 1658 Words
    • 7 Pages
    Great Essays
  • Great Essays

    Evolution Of Metal Music

    • 1666 Words
    • 7 Pages

    Starting in the 1950s as part of America’s counter culture, rock music swiftly rose in popularity with an appeal to youth, vitality, and revolt. Rock revolutionized music and spread it across cultures to involve anyone willing to listen, going beyond the artful form of music that had previously been reserved for the upper class. Music has taken many different forms over the years, created new factions, new sounds, but the undisputed claim to fame today as far as music is concerned lies with the genre of rock ‘n’ roll. As its popularity grew, rock rapidly went from being the music of the Other to being the most popular form of music in recent years. With growth came evolution, with many different subgenres of rock being formed by the 1980s.…

    • 1666 Words
    • 7 Pages
    Great Essays
  • Great Essays

    In a sex-dominated society like present day America, the content is prevalent in all media, specifically music. Music has always been sexual, it is just that as sex became less taboo, people were more free to express themselves, but there were still restrictions set in place, which made people more inclined to break them. This is shown in music for all audiences from adults to children, but there is one main difference in the way that the content is expressed, and that is cultural. White and black performers as well as audiences have always had contrasting differences between them, musically and socially, which is a discourse that is prominent in popular music. These issues stem from post-slavery and segregation in which the music of blacks and whites could not be acknowledged as overlapping although they have always influenced each other.…

    • 1404 Words
    • 6 Pages
    Great Essays