“The vision of Logan Killicks was desecrating the pear tree but Janie didn’t know how to tell Nanny that.” (Hurston 31)Hurston’s use of conceit further expounds upon the elements of nature in relation to Janie and her ideals. The desecration of the pear tree symbolizes the fragmentation of her image of love after being subjected to this unwilling commitment. This is the beginning of her loss of faith. It was the first forge that Janie’s ideals were forced into. “She knew now that marriage did not make love, Janie’s first dream was dead, so she became a woman.” (Hurston 42) The personification of her dream tangibly relays the beginnings of Janie’s transition from a naïve child to a woman with fractured hopes. Janie’s desires that once exuded a fluttery and exuberant ideal was ravaged by Logan’s stagnancy. She is thrown into the fires of disillusionment. She no longer fantasizes nor dreams. She realizes that the fruits of marriage is not love nor desire; it is a commitment, a contract, a
“The vision of Logan Killicks was desecrating the pear tree but Janie didn’t know how to tell Nanny that.” (Hurston 31)Hurston’s use of conceit further expounds upon the elements of nature in relation to Janie and her ideals. The desecration of the pear tree symbolizes the fragmentation of her image of love after being subjected to this unwilling commitment. This is the beginning of her loss of faith. It was the first forge that Janie’s ideals were forced into. “She knew now that marriage did not make love, Janie’s first dream was dead, so she became a woman.” (Hurston 42) The personification of her dream tangibly relays the beginnings of Janie’s transition from a naïve child to a woman with fractured hopes. Janie’s desires that once exuded a fluttery and exuberant ideal was ravaged by Logan’s stagnancy. She is thrown into the fires of disillusionment. She no longer fantasizes nor dreams. She realizes that the fruits of marriage is not love nor desire; it is a commitment, a contract, a