Arthur Kroker, Professor of Political Science at the University of Victoria, characterizes our society as existing in “...the age of the bored eye: the eye which flits from situation to situation, from scene to scene, from image to image, from ad to ad, with a restlessness and high-pitched consumptive appetite that can never really ever be fully satisfied... with simply observing the power of the image, the bored eye now demands to be the power of the image.” (167). What may have begun as pure fascination with the image of catastrophe as a self-gratifying moment has transformed into an embodied necessity to partake in the ongoing creation of the spectacle itself. As a result, “Nothing is news if it does not pass through that horizon of the virtual, that hysteria of the virtual...in the sense of a compulsion for what is presented, in all bad faith, as real to be consumed as unreal” (Baudrillard 57). In other words, news and media can only be considered authentic in our image driven society if it functions as a distribution channel to give people the necessary dosage of catastrophe.…