National Hymn Analysis

Improved Essays
The National Hymn, also known as "God of Our Fathers”. This hymn was written in 1876 to help celebrate the 100th anniversary for the Declaration of Independence. Daniel C. Roberts wrote this well-known hymn. He was also a priest at the Protestant Episcopal Church and served in the American Civil War. The Metronome was not originally created by Maelzel, but he got it patented in 1815. This small device keeps a beat and makes a noise each time it passes the center. It helped may musicians and singers keep a steady beat and rhythm.
Johann Nepomuk Maelzel was a German inventor. He was born in Regensburg, Germany on August 15, 1772. Maelzel was also the son of an organ builder. This is where he received a comprehensive musical education.
…show more content…
The Hoboken catalogue is a catalogue of the musical compositions by Joseph Haydn compiled by Anthony van Hoboken. It is intended to cover the composer's entire oeuvre and includes over 750 entries. Alessandro Longo was born in Amantea. After studying at the Naples Conservatory under Beniamino Cesi, which began teaching piano in 1887. Cesi as pianoforte professor, and succeeded him in 1897. Cesi now uses his style of music. A Symphony form is a large work for orchestra in three or four movements of contrasting speeds. Concerto form is a large work for instruments, soloist and an orchestra. Only have three movements and each has a different speed called a cadenza. A cadenza is the part in the concerto at the end of the movement. The concert master is the second most important person in an orchestra. He or she is the backup conductor, and is also the lead violinist. The master also keeps all the strings in toon by keeping everyone updated with changes. A chamber orchestra is a smaller orchestra that only has about 25 people performing. A Symphony orchestra is a large orchestra composed of string, and wind

Related Documents

  • Improved Essays

    Shelley Hanmo Qian performed on Sunday November 16, 2014 at Recital Hall. She played Concerto No. 1 in D Minor, Op. 15 which was composed by Johannes Brahms in 1854-1859. The Concerto No. 1 in D minor, Op 15 consisted of three individual movements. These movements are named Maestoso, Adagio, and Rondo: Allegro non troppo. In Italian, Concerto means concert.…

    • 751 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    I think they have broaden and enhance the orchestral concert experience because according to the article it stated that the ASO performances each year reaching nearly half a million people through its various concert series and diverse initiatives in music education and outreach. It also stated that the ASO was actively involved in a number of community-based projects that offer annual King Celebration concerts honoring the legacy of Dr. Martin Luther King, Jr, they participation in the National Black Arts Festival and concerts given in collaboration with local churches. One of the pros are they have the ability to reach intercity youth that may not have a change to experience a symphony Orchestra. One of the cons are they don’t make enough…

    • 130 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    In his “Morning Hymn,” Prudentius contrasts God’s blessing with human sin, extolling the redeeming quality of God’s light. He offers a particular characterization of sin, predicating it on perversion of thought, rather than action. As a solution for humanity’s inherent perversion, Prudentius offers the story of Jacob: to him, Jacob was purified through genital injury caused by a harsh God, allowing him to birth the kingdom of Israel. As such, Prudentius’s image of God is grounded in the wrathful lord of the Old Testament. He uses the story of Jacob to praise God as a vengeful overseer who can purify Man’s perversion solely through harsh judgment.…

    • 1131 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The year of the 1721 dates the submission of Christoph Gottlieb Schroter hammer-keyboard designs to the Saxon Court in Dresden. He was born on August 10, 1699, in Hohenstein-Ernstthal, Germany, and died on May 20, 1782, Nordhausen, Germany. The year of 1725 dates the translation of Maffei's article into German stimulates widespread interest, and the pianos advertised in Vienna. The time of 1730 dates the Gottfried Silbermann explores in Dresden, Germany with pianos gotten from Cristofori, and pianos known to be in Portuguese and Spanish courts.…

    • 1534 Words
    • 7 Pages
    Improved Essays
  • Improved Essays

    known that most, if not all, of his cadenzas have been lost over the years. For this specific con- certo, the most popularly performed cadenzas are not Mozart’s own, but cadenzas by Beethoven and Brahms. Mozart is known to have established the key features of the classical era concerto form and style. After Mozart’s bravura and flashy concertos were written for his subscription concerts, many composers after him followed this idea and the solo parts progressively became more diffi- cult, demanding, and virtuosic. One of these key features that have stuck in the concerto for many centuries after Mozart’s death was the general use of a sonata form as the concerto.…

    • 301 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Formally known as Vivaldi’s Violin Concerto in G minor, Op. 8, no. 2, “Summer” is a Baroque concerto that follows after many other pieces throughout the Baroque period. Like many of his other pieces, the concerto stays true to it’s Baroque style and ritornello form, but it is best understood, explained, and enjoyed with the support of Vivaldi’s poem. In retrospect, a concerto is a piece that can be performed by a single instrumental soloists, known as a solo concerto, or by small groups of instrumental soloists, known as a concerto grosso.…

    • 1051 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The orchestration and instrumentation of ensembles and orchestras has changed throughout the classical, romantic, and modern periods to adapt to political and social movements, new instruments that present new timbres, redesigned or improved instruments, and composers experimenting with both new styles and different instrument…

    • 45 Words
    • 1 Pages
    Improved Essays
  • Improved Essays

    Bartolomeo Cristofion

    • 374 Words
    • 2 Pages

    The first piando was invented in approximated in 1700 by Bartolomeo Cristifion in Italy. Bartolome Cristofion Italian instrument inventor, he invented the piano and two other keyboard instruments, the spinettone and the oval spinet. The piano is fouded on the earlier technological innovation. The 14th and 15th centuries was the development of different kinds of keyboard stringed instrument. At the time that Bartolomeo Cristofion invented the piano, the most popular keyboard instruments were the harpsichord and the clavichord.…

    • 374 Words
    • 2 Pages
    Improved Essays
  • Superior Essays

    It could very well be that the violinist plays more notes and the fact that there sound may be more vital to the overall sound of the orchestra than that of the…

    • 1014 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    Both sonata and vocal forms influenced the development of concerto form as instrumental music practices and writing evolved from the middle to late Baroque (ca. 1680– 1730). This paper will examine the development of the instrumental concerto during the Baroque, focusing on analysis of the works and contributions to the form by Arcangelo Corelli (1653–1713) and Antonio Vivaldi (1678–1741). Representing a span of one generation in time, and working in different musical centers within Italy, Corelli and Vivaldi each made major contributions to the development of the Baroque concerto grosso and solo concerto forms, helping establish instrumental music as an independent entity from vocal music, and moving orchestra music practices toward what would evolve into the Classical era concerto and symphony later in the 18th century. Their respective scoring, texture, number and form of movements (e.g., ritornello, fugue, or dance-based), and use of affect (tempo and feel) will each be evaluated using Corelli’s “Christmas Night” concerto and Vivaldi’s “Winter” from “The Four Seasons” as primary examples. How the composition of established Roman and Venetian large-scale musical ensembles affected the scoring for the respective composers’ concertos will also be examined.…

    • 917 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Vivaldi Four Seasons

    • 544 Words
    • 3 Pages

    Unlike No. 1 Concerto No.2 was played in the G minor scale. The melody of this concerto was staccato because of the short, fast, and un smooth playing of the music. Concerto No. 2 being played in Staccato gave the listener a feeling of excitement. My last note for Concerto No. 2 is that at the end there is a dramatic increase in speed which has the violinists playing as swiftly as they can which would be an example…

    • 544 Words
    • 3 Pages
    Improved Essays
  • Decent Essays

    The Austrian composer Haydn was one of the most prominent composers in the Classical period. He wrote 62 piano sonata solos, which is Haydn’s major keyboard work. His sonata works in early stage were composed as teaching pieces for students while his late sonatas were added new elements, for examples the growth of the exposition and development sections which made the work became more dramatic and artistic. This piano sonata was one of Haydn’s late sonata works composed in 1789-90.…

    • 172 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    His works spread over the period amid which that style changed from one exemplified by the style gallant to one that started to consolidate a portion of the contrapuntal complexities of the late Baroque, complexities against which the gallant style had been a response. Mozart 's own particular complex advancement nearly paralleled the improvement of the established style all in all. Likewise, he was a flexible writer and wrote in practically every real class, including ensemble, musical show, the performance concerto, orchestral arrangements including string quartet and string quintet, and the piano sonata. While none of these classes were new, the piano concerto was practically without any help created and advanced by Mozart. He likewise composed a lot of religious music, including masses; and he made many moves, divertimenti, serenades, and different types of light amusement.…

    • 957 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Haydn's Baby-Stage Sonata

    • 764 Words
    • 4 Pages

    XVI: 23 is one of Haydn’s “baby-stage” composition in which he explores different textures as freely as he could, but never exceeds the formal structural frame. Haydn’s music may not be as profound and probing as Mozart’s, or as emotionally intense and radical as that of Beethoven , but he was definitely an innovator, as he employs multiple music topoi and unusual chords and modulations along with his highly repetitive melodic lines in the first movement of this sonata in F major. History has given him the titles of “father of the symphony,” “father of the orchestra,” and “father of the string quartet,” but he also deserves another one of “father of the piano…

    • 764 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    History Of Sonata Essay

    • 857 Words
    • 4 Pages

    Sonata in its structure form has three or four movements. The first movement when played makes it clear enough to distinguish it from the other musical forms. Joseph Haydn mastered the form of the first movement and the rest future composers followed his method to create their sonatas. The first movement of the modern sonata is usually in binary form.…

    • 857 Words
    • 4 Pages
    Improved Essays