1 was played in the E major. At the very beginning of the piece there is a perfect example of allegro when the orchestra starts out completely silent then after a few minutes of playing at (3:32) you can really get a good feel of the change in dynamics when it shifts to pianissimo. As Concerto No. 1 gets closer to its end at the six minute mark allegro is used as the orchestra picks up pace and increases in volume very swiftly. I believe that the hopeful and happy melody of Concerto No. 1 represents the Season of Spring because the upbeat tempo could give the listener the image of leaves coming back on the trees. Concerto No.2 was fairly similar to No. 1 but was meant to represent the season of Summer. Unlike No. 1 Concerto No.2 was played in the G minor scale. The melody of this concerto was staccato because of the short, fast, and un smooth playing of the music. Concerto No. 2 being played in Staccato gave the listener a feeling of excitement. My last note for Concerto No. 2 is that at the end there is a dramatic increase in speed which has the violinists playing as swiftly as they can which would be an example
1 was played in the E major. At the very beginning of the piece there is a perfect example of allegro when the orchestra starts out completely silent then after a few minutes of playing at (3:32) you can really get a good feel of the change in dynamics when it shifts to pianissimo. As Concerto No. 1 gets closer to its end at the six minute mark allegro is used as the orchestra picks up pace and increases in volume very swiftly. I believe that the hopeful and happy melody of Concerto No. 1 represents the Season of Spring because the upbeat tempo could give the listener the image of leaves coming back on the trees. Concerto No.2 was fairly similar to No. 1 but was meant to represent the season of Summer. Unlike No. 1 Concerto No.2 was played in the G minor scale. The melody of this concerto was staccato because of the short, fast, and un smooth playing of the music. Concerto No. 2 being played in Staccato gave the listener a feeling of excitement. My last note for Concerto No. 2 is that at the end there is a dramatic increase in speed which has the violinists playing as swiftly as they can which would be an example