Ever roamed through the streets of New York and actually took a look at all of the buildings? People are usually too in a rush to notice the great deal of history behind every piece of architecture that lies in New York, as well as the reason for its placement and standing. Including known buildings such as the infamous Trump Tower, each edifice obtains a purpose and has somehow effected many people, that being in either positive or negative aspects. As one enters into museums such as the Museum of Modern Art, thousands of people on a daily get the chance to witness thousands of pieces of artworks which not only are displayed for its aesthetic presentation, but also arranged in specific positions for the public to create a better understanding.
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Each photo from the start of the exhibit was graced on the walls in an orderly fashion of its timing. People do not always take the chance to observe the complete image, let alone its description, which there allows one to recognize the progression of different cultures. Following the path of the pictures, each image displays a sprinkle of randomness within its own detail. The formation of the photos continue to progress like a timetable, like photos taken from WWII which express all types of known and unknown activities that took place during that decade of mass destruction. The curator gave the public a chance to judge through perspective and assimilate these photographs through appreciation of …show more content…
Often, people walk into museums and do not actually take the handed opportunity to acknowledge all of the culture and either deranged or simple history those buildings have to offer. It has become a trend to visit these capturing places, but it only becomes beneficial once the public gives it a real chance at engaging with it. The curator at the Museum of Modern Art, gives the public the chance to interpret a logical meaning of the exhibits formation. "The Shape of Things: Photographs from Robert B. Menschel", was a step back into the early ages of photography and an eye-opening experience for a viewer to make a connection of. The availability of knowledge in an exhibit such as this one, grows a sense of shocking emotion because it is so fascinating to see the growth in subjects so valuable like photography. As the cliché saying goes, "a picture is worth a thousand words", and it is so greatly appreciated to have that capability of saying
Each photo from the start of the exhibit was graced on the walls in an orderly fashion of its timing. People do not always take the chance to observe the complete image, let alone its description, which there allows one to recognize the progression of different cultures. Following the path of the pictures, each image displays a sprinkle of randomness within its own detail. The formation of the photos continue to progress like a timetable, like photos taken from WWII which express all types of known and unknown activities that took place during that decade of mass destruction. The curator gave the public a chance to judge through perspective and assimilate these photographs through appreciation of …show more content…
Often, people walk into museums and do not actually take the handed opportunity to acknowledge all of the culture and either deranged or simple history those buildings have to offer. It has become a trend to visit these capturing places, but it only becomes beneficial once the public gives it a real chance at engaging with it. The curator at the Museum of Modern Art, gives the public the chance to interpret a logical meaning of the exhibits formation. "The Shape of Things: Photographs from Robert B. Menschel", was a step back into the early ages of photography and an eye-opening experience for a viewer to make a connection of. The availability of knowledge in an exhibit such as this one, grows a sense of shocking emotion because it is so fascinating to see the growth in subjects so valuable like photography. As the cliché saying goes, "a picture is worth a thousand words", and it is so greatly appreciated to have that capability of saying