Michelangelo Di Lodovico Buonarroti Analysis

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PARAGRAPH. Michelangelo di Lodovico Buonarroti Simoni, was painter, engineer, and upon his own words, a sculptor. He put the walls on the Sistine Chapel, and sculpted the beautiful form to the body of David. On March 9th my Humanities course was given the opportunity to be given a tour at the Phoenix Art Museum, in Phoenix Arizona. The reason for this was so that we could have a in person view of the some the period art styles we were studying and have a greater understanding for it. Due to time period some of the styles can be very hard to distinguish between. Seeing pictures in a textbook and on the internet can only go so far when you attempting to between some details that too the naked eye appear very miniscule. During the tour we were presented numerous pieces of art and given a brief history and context to the piece. This helped give a baseline to what certain styles mean and the true context behind certain pieces of art. After receiving the tour and viewing everything from Italian Renaissance to current Pop, Kinetic, and Still Life Art I was able to roam as I pleased and eventually located the Italian Renaissance drawings and compositions of Michelangelo after a getting turned around about two or three times. These drawings, compositions, or arguably finished works of art have held the basis of Michelangelo themes and scientific pursuits(Source.) In each composition you can see the human and animal forms he was studying. In addition, as his endeavors in architecture(Source). While viewing these compositions I found one that particularly took too my interest, the drawing, “Madonna and the Child.” In the drawing you visually see mother Marry nursing what is the infant Jesus Christ. Something not ever drawn, spoken off, and if showed publicly would be rejected by the Catholic church, so something of this nature was eye astounding to me. The Church had a reputation of only displaying approved of religiously correct art.These drawings to the passing eye would appear unfinished and full of errors. There is lines out of place and other forms trial and error on body shaping. But, upon further inspection of the drawing you can see that Michelangelo was creating a composition. There is previous lines of …show more content…
He used these drawings as the basis for his art and his study where he showed body shape and building construction. Each drawing simple yet very elegant in his pencil strokes. They seem as they were created under control and with a particular finesse nothing out of control in his pencil strokes. But, in these drawings you see other make-ups or layouts within them. In particular, in “Mother and the Child” Michelangelo was moving the legs of the infant , and the the placings of the extremities of the Madonna. These changing compositions key in to the fact that he either wasn't happy with one choice or could not decide on which one to choose. Neither composition really having more emphasis on which choice, or a final chosen one. The chiseled body of the infant also key into the era of the drawing showing it was created during the Italian Renaissance in the year 1522. At the time, art showed emphasis on body structure and perfection. This was due to the rebirth of old Greek and Roman ideas. This classic antiquity carried through all forms the

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