Mid-1930s, he worked in the Regionalist style, and was impacted by Mexican muralist painter, Digo Rivera. An exhibition entitled Picasso: 40 Years of His Art, drove Pollock to perceive the expressive force of European innovation, which he had beforehand dismissed for American craftsmanship. He started to develop another style of semi-dynamic totemic creations, refined through over the top improving. Most of his canvases were either set on the floor, or laid out against a wall, rather than being fixed to an easel. Another impact on Pollock was the work of the Ukrainian American craftsman Janet Sobel (1894-1968) (conceived Jennie Lechovsky). Sobel's work is identified with the "drip paintings" of Jackson Pollock. Jackson Pollock made it possible for American painting to compete with European modernism by applying modernism's logic to new problem. He created a new scale, a new definition of surface and touch, a new syntax of the relationships among space, pigment, edge, and drawing, displacing hierarchies with an unprecedented and powerful and fabulously intricate self-generating
Mid-1930s, he worked in the Regionalist style, and was impacted by Mexican muralist painter, Digo Rivera. An exhibition entitled Picasso: 40 Years of His Art, drove Pollock to perceive the expressive force of European innovation, which he had beforehand dismissed for American craftsmanship. He started to develop another style of semi-dynamic totemic creations, refined through over the top improving. Most of his canvases were either set on the floor, or laid out against a wall, rather than being fixed to an easel. Another impact on Pollock was the work of the Ukrainian American craftsman Janet Sobel (1894-1968) (conceived Jennie Lechovsky). Sobel's work is identified with the "drip paintings" of Jackson Pollock. Jackson Pollock made it possible for American painting to compete with European modernism by applying modernism's logic to new problem. He created a new scale, a new definition of surface and touch, a new syntax of the relationships among space, pigment, edge, and drawing, displacing hierarchies with an unprecedented and powerful and fabulously intricate self-generating