Italian Neorealism Essay

1161 Words Jun 14th, 2007 5 Pages
Italian Neo-realism Thesis

It sought to deal realistically with the events leading up to the war and with their resulting social problems. Rooted in the 1920s, it was similar to the verismo ("realism") movement, from which it originated, but differed in that its upsurge resulted from the intense feelings inspired by fascist repression, the Resistance, and the war.
Italian aesthetic movement that flourished especially after World War II.

Neorealism in film embraced a documentary-like objectivity; actors were often amatuers, and the action centred on commonplace situations. Often crudely and hastily made, Neorealist productions stood in stark contrast to traditional escapist feature films.

It must be said that neorealist
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Levels of income were surpassing prewar levels, most Italians liked American cinema and the vision of a desolate, poverty-stricken country outraged politicians anxious for democracy and prosperity.
Despite its lack of organization and relatively short lifespan, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945–1952, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated.
Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues, but how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways that it continues to complicate the relationship between ideas of nation, national cinema, and national identity. n the immediate postwar period, Neorealism shouldered a central role in attempting to fashion the new Italian nation. From this perspective

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