Henry A Giroux, author of The mouse that roared; Disney and the end of innocence, writes “Stripped of the historical and social constructions that gives it meaning, innocence in the Disney universe becomes an atemporal, ahistorical, apolitical, and a theoretical space where children share a common bond free of the problems and conflicts of adult society” (Giroux and Pollock 32). This sarcastically explains how Disney view themselves as protecting the innocence of children, when they are actually putting the political ideas in their minds, stripping them of their innocence. Words such as “apolitical” is an attempt to construct it to look as if Disney is innocence, but the examples given exhibits that they are just putting adult ideas or political propaganda in their minds. Political views are being incorporated into child entertainment, angering the audience and influencing the young minds of the next
Henry A Giroux, author of The mouse that roared; Disney and the end of innocence, writes “Stripped of the historical and social constructions that gives it meaning, innocence in the Disney universe becomes an atemporal, ahistorical, apolitical, and a theoretical space where children share a common bond free of the problems and conflicts of adult society” (Giroux and Pollock 32). This sarcastically explains how Disney view themselves as protecting the innocence of children, when they are actually putting the political ideas in their minds, stripping them of their innocence. Words such as “apolitical” is an attempt to construct it to look as if Disney is innocence, but the examples given exhibits that they are just putting adult ideas or political propaganda in their minds. Political views are being incorporated into child entertainment, angering the audience and influencing the young minds of the next