The tone has to do with the purpose of each poem also, like in family secrets “Now, though; forty-eight years old and now i'll tell you: No. It’s nothing makes you glad to be alive.” (Ceci, 15-16) Ceci is focusing on making us understand or question what he means by saying that nothing makes you glad to be alive. While reading “The Whipping”, “Wildly he crashed through elephant ears, pleads in dusty zinnias, while she in spite of crippling fat pursues and corners him.” (Hayden, 5-8) one can feel the strong emotion and hurting from this women cornering the boy. The word “cornering” does the justice for this sentence, it makes one feel choked up, or trapped. The excitement in both “Family Secrets”, and “The Whipping” come from the shifts that are both located in the last sentence. These shifts shock the reader and expose them to a different perspective from the writer. In the poem “Family Secrets” Ceci shocks us with evidence towards the boys claim about his sister not being “Always the good one.” (Ceci, 6) with the last sentence
The tone has to do with the purpose of each poem also, like in family secrets “Now, though; forty-eight years old and now i'll tell you: No. It’s nothing makes you glad to be alive.” (Ceci, 15-16) Ceci is focusing on making us understand or question what he means by saying that nothing makes you glad to be alive. While reading “The Whipping”, “Wildly he crashed through elephant ears, pleads in dusty zinnias, while she in spite of crippling fat pursues and corners him.” (Hayden, 5-8) one can feel the strong emotion and hurting from this women cornering the boy. The word “cornering” does the justice for this sentence, it makes one feel choked up, or trapped. The excitement in both “Family Secrets”, and “The Whipping” come from the shifts that are both located in the last sentence. These shifts shock the reader and expose them to a different perspective from the writer. In the poem “Family Secrets” Ceci shocks us with evidence towards the boys claim about his sister not being “Always the good one.” (Ceci, 6) with the last sentence