Scott Fitzgerald himself. Most people know about his wife, Zelda Fitzgerald. Fitzgerald did love her very much, but she wasn’t his only lover. Ginevra King, a Chicagoan socialite, had a relationship with Fitzgerald, constantly writing letters to each other. According to the New York Times, they fell in love very quickly. After they broke up, Fitzgerald used their story and her words to write the character of Daisy. He would copy bits of her letters into the book, like the scene where Daisy and Gatsby dance together after meeting. The book says, “They were still under the white plum tree and their faces were touching except for a pale, thin ray of moonlight between.” (Fitzgerald 107) This mirrors something King told Fitzgerald in a love letter. “‘Oh Scott,’ she writes. ‘Why aren’t we at a dance in summer now with a full moon in a big lovely garden and soft music in the distance.’” (King qtd. Smith). Sure, using one’s past to write fictious stories is generally acceptable, he did it in a maniacal way. He made Daisy a stereotypical, ditsy, flat character. He turned his leading female into a character people despise. Ginevra eventually wanted to reconcile with Fitzgerald. They met at a bar. “[Ginevra King] asked which of his characters were modeled after her. “Which bitch do you think you are?’ Fitzgerald replied,” (Smith). The word “bitch” makes this quote miserable. Fitzgerald
Scott Fitzgerald himself. Most people know about his wife, Zelda Fitzgerald. Fitzgerald did love her very much, but she wasn’t his only lover. Ginevra King, a Chicagoan socialite, had a relationship with Fitzgerald, constantly writing letters to each other. According to the New York Times, they fell in love very quickly. After they broke up, Fitzgerald used their story and her words to write the character of Daisy. He would copy bits of her letters into the book, like the scene where Daisy and Gatsby dance together after meeting. The book says, “They were still under the white plum tree and their faces were touching except for a pale, thin ray of moonlight between.” (Fitzgerald 107) This mirrors something King told Fitzgerald in a love letter. “‘Oh Scott,’ she writes. ‘Why aren’t we at a dance in summer now with a full moon in a big lovely garden and soft music in the distance.’” (King qtd. Smith). Sure, using one’s past to write fictious stories is generally acceptable, he did it in a maniacal way. He made Daisy a stereotypical, ditsy, flat character. He turned his leading female into a character people despise. Ginevra eventually wanted to reconcile with Fitzgerald. They met at a bar. “[Ginevra King] asked which of his characters were modeled after her. “Which bitch do you think you are?’ Fitzgerald replied,” (Smith). The word “bitch” makes this quote miserable. Fitzgerald