Grendel in the novel is very similar to The Monster in the novel Frankenstein due to the emptiness and aloneness each possesses from asking why they exist. With the feeling of being an outsider to the world, they fear to have no choice but to be feared without the love they both need from others. Towards the end of the novel Frankenstein, Victor finally comes face to face with the creature he has feared for so many years as it progressed on destroying his life. With the questions on why the monster did what he did to his life, he then forgets about what he has done to the monster when created.…
He believed that the knowledge he so desperately sought after was his without consequence, but he was sadly mistaken. The secret that he treasured so much was his ultimate end, for no human should be able to wield and posses such information without the consequences of science. “Darkness had no effect upon my fancy...:”, the reason being that without know, it was already ingrained in him (shelly 58).This one necessary idea lead victor to deprive himself “...of health and rest” (shelly 67). Frankenstein was so obsessed with creating a being that he didn't care about the changes that came his way. Not only was he risking himself mentally but also physically.…
Through isolation, character, and setting, Mary Shelley suggests that we can become overpowered to prove that Victor is guilty of the monsters actions. Due to the characteristics of the monster, Mary Shelley displayed how Victor was guilty of the killings that the monster committed. The monster truly did not know who he was because he was never told or never parented by his creator. The monster was speaking and stating, “And what was I? Of my creation and creator, I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of property.”…
Foils are characters who contrast the protagonist’s traits in order to emphasize them. In many cases there is more than one foil to a character. Frankenstein, Or, The Modern Prometheus by Mary Shelley provides an example of multiple foil characters. Elizabeth Lavenza, Robert Walton and Henry Clerval each counteract the main character, Victor Frankenstein. The most effective foil, however, is the creature Victor brings to life.…
In an attempt to clear his mind, Victor goes alone to Montanvert. Momentarily he finds peace, but it is very short lived when he come face to face with the daemon her created. The monster tells him the trials and tribulations that he has endured in life. The monster says to Victor “Remember, that I am thy creature: I ought to be thy Adam, but I am rather the fallen angel.” (ch.10)…
Is Scientific Advancement really beneficial? In Mary Shelley’s novel, Frankenstein, the plot conveys that a an extremely heightened passion for the sciences has very detrimental effects, as the tone in the early part of Victor’s narrative suggests. As a result, in a sequence of events, scientific advancement can unintentionally lead one to turn into a monster. As a result of numerous scientific advancements, many people are harmed. Therefore, while part of Mary Shelley’s Frankenstein illustrates the benefits of scientific advancement, the bulk of the plot mostly conveys the potential detriment and destructiveness that comes with progress.…
Mr. Frankenstein even said himself, “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation...” (Ch. 5). This statement shows how in love Victor was with his work.…
He successfully brings his creation to life going against the natural order, abandons his creation, and refuses to take any responsibility for his creation or its actions. If Victor’s reaction to his creation’s birth would not have been “breathless horror and disgust” (Shelley 35), his creation would not have developed such a hatred for humanity. Britton argues that “the absolute horror of peri-natal rejection from both mother and child” (Britton 9) portrayed in Frankenstein can be further interpreted as a reflection of Mary Shelley’s emotional reaction to the abandonment from her own mother. Mary Shelley’s characterization of Victor as incredibly monstrous does not allow the…
In other words, Victor becomes the real monster because he refuses to acknowledge his part in the making of his own destruction. Victor’s inner evil shows itself through his creation and Victor cannot handle the fact that he might be responsible for the death all around him (Lunsford 175). In addition to this, Mary Shelley lets the reader see the motives behind Victor’s narcissism and the monster’s revenge. First, Victor shows his narcissism through his laborious work and irresponsibility. In other words, Victor ignores his family for months on end while he works on creating a superhuman breed of mankind.…
Initially, Victor’s devotion to natural philosophy causes him to ignore his father’s wishes to “hear regularly” from him. With the presence of a physical barrier between himself and his father, Frankenstein’s prioritization of work over contacting his family emphasizes and leads to their separation. Later, his abandonment of Clerval in order to “finish his work in solitude” (172) inevitably results in the death of his dearest friend. It was Victor’s pride that made him hide the reality of his creature from Clerval. The reader can infer that Victor likely does this to protect his ego as he is unwilling to admit that the consequences of his misguided decisions.…
In Frankenstein, written by Mary-Ann Shelley, Shelley portrays Victor as the ultimate monster. Throughout the novel, Shelley tests Victor’s morals and concludes him to be arrogant and selfish. Shelley depicts his immorality through the creation of the creature, abandoning his creation, and his decision to uphold his reputation and sacrifice mankind. Shelley illustrates Victor’s immorality through the creation of the creature. When Victor attends university at Ingolstadt, he decides to pursue his studies in the Sciences.…
On the surface, Frankenstein, by Mary Shelley, is a novel about science going too far. Diving deeper, there were recurring themes about religion and mythology as Frankenstein tried to take on the role of God. Victor wanted to learn the secrets of immortality by creating life but did not think of the consequences, leading to his tragic downfall. He believed that knowledge was the greatest power to obtain, however, his pursuit of it, Victor disrupted the balance between nature and science, making him the author of all or the tragedies in his life. Despite Victor’s other sins, Shelley showed that trying to play God was his greatest crime.…
However, these traits are too strong for Victor to handle. This can be shown when Victors gives life to his creature and later sees that he has done a mistake in creating it. His desire to create a human being, as said in page 79, can be seen as a form of his traits due to the fact that his family was known to have power and control society how they want. Throughout this story, Mary Shelley also talks about Victor’s curiosity on science.…
“The name Frankenstein tends to evoke not the unfortunate over-reaching young scientist Victor Frankenstein but his hideous creation” (Brooks). The reason for this may lie in the fact that Victor is also considered to be a monster since he created a person who has feelings. It is a creature, but it is not insensitive and it never finds its place in life. Furthermore, it seeks help from Victor and cannot get it because Victor does not know what to do after this horrible incident which cost him the life of his brother and other dear people in his life. The first time that Frankenstein meets the monster, it is revealed that the monster has a sharp mind although he has a deformed body.…
First of all, Dr. Victor Frankenstein feels uncontrollably compelled to create animation in the lifeless body. He can see the devastation his creation will cause in the future to him, yet he does it anyway. It is as if he is fated to create the monster. This lack of control may come both from the evil inside him, as well as outer forces of the world. Ultimately, the monster becomes a kind of external embodiment of Frankenstein's increasingly divided and conflicted personality while the monster's ugliness makes him the image of a purely intellectual, heartless Victor, the opposite of the young man who begins his studies with hope and the desire to contribute to the improvement of…