Disconcerting Behaviour in The Wasp Factory and A Streetcar Named Desire

2243 Words Oct 4th, 2013 9 Pages
‘Compare the ways writers’ present disconcerting behaviour in both texts so far.’
The following will elucidate how disturbing behaviour is conveyed in the novel The Wasp Factory by Iain Banks and the play, A Streetcar Named Desire by Tennessee Williams.
In A Streetcar Named Desire, the theme of violence is very frequent in the character Stanley Kowalski. Stanley is a married, young man, who comes across to the reader as quite an enraged person with animalistic attributes. A prime insinuation of Stanley’s difference to regular humans is when Stella DuBois (Stanley’s wife) explains to her sister that Stanley is of “a different species”, foreshadowing that Williams may be warning the reader that Stanley is capable of things that are not in
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A point that must be noted in A Streetcar Named Desire is my belief that Blanche DuBoi’s insecurity could be seen as a form of disconcerting behaviour. Blanche is constantly fishing for compliments from Stella, which may not seem disturbing at first at all, as most people like to be complimented on their beauty, however, when Stella asks Stanley to “admire her dress and tell her she’s looking wonderful. That’s important with Blanche. Her little weakness”, we begin to question whether Blanche is totally obsessed with herself and her image. The fact that Stella claims “looks” are Blanche’s “weakness” strengthens the belief that Blanche is insecure - especially because this judgement is made from her sister who is very close to Blanche. Her insecurity highlights the belief that Blanche is a very disturbed person and we can make an assumption that an incident in the past has caused this anxiety in her. In addition, when Blanche declares she still has vanity about her beauty, she looks over at her sister Stella “for reassurance”. We can deduce from Blanche’s final look at Stella to assure she still looks pretty that Blanche definitely self-doubts her appearance and is thinks it’s critical about what people think of her; which

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