The town Blake comes to settle down is called Machine. The train fireman (Crispin Glover) asks Blake why he would travel, “all the way out here to hell” (Dead Man 1995). His statement is not one of excitement in being a part of “its openness” (Cawelti 23). His face actually is a precursor to what the town of Machine looks like, all dirty and corroded by the introduction of industrialism. Jarmusch 's vision was not that of positivity in the expansion of the west, it was a town that showed the negative aspects of progress. Even though it is supposed to be the west, the scenery is filmed in such a way that it looks confining and deary. The scenery in this film interpreted as stifling, not amass with
The town Blake comes to settle down is called Machine. The train fireman (Crispin Glover) asks Blake why he would travel, “all the way out here to hell” (Dead Man 1995). His statement is not one of excitement in being a part of “its openness” (Cawelti 23). His face actually is a precursor to what the town of Machine looks like, all dirty and corroded by the introduction of industrialism. Jarmusch 's vision was not that of positivity in the expansion of the west, it was a town that showed the negative aspects of progress. Even though it is supposed to be the west, the scenery is filmed in such a way that it looks confining and deary. The scenery in this film interpreted as stifling, not amass with