Dante's Inferno Research Paper

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Fig. 46. In the early Renaissance, Dante’s Inferno, became a powerful classic that dramatized Satan’s sphere of influence in hell; drawing by Giovanni Stradano, 1550. It occurred first as part of the epic, The Divine Comedy, and became known as a devilishly chilling account of Satan’s domain.

A s mentioned in the last chapter, after the Emperor Constantine’s conversion into Christianity around A.D. 325, he ordered the closing of a significant amount of pagan cults and orgiastic temples and with that Pan’s presence looks as if it had gone somewhat silent. Subsequently, after the fall of the Roman Empire around A.D. 476, barbarian invasions thrust the area into the darkness of the Middle Ages, lasting approximately from the 5th to 13th
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In addition, Pan symbolized the permeation of the power of the sun and transpires as the chief of horde rustic deities, and satyrs and also implies being the calculating spirit of the lower worlds. Moreover, there exists a story that said at the time of Christ the oracles became silenced after giving their last cries proclaiming, “The great Pan is dead!”(Unfortunately, his spirit appears to live on.) Categorically, Kircher became one of the first people to examine microbes using a microscope, and transcended being ahead of his time in proposing the plague; which survives by an infectious micro-organism and by Kircher suggesting this, in effect helped prevent the spread of diseases (in due course, Louie Pasteur succeeded). Comparably, Kircher came close to Leonardo da Vinci, with his diverse inventiveness in his work, existing as a scientific star in his day, and by the end of his life he had outshined the rationalism visions of others. Ultimately, in the late 20th century, the artistic qualities of his work became decidedly respected and as announced through one scholar, Edward W. Schmidt, stated Athanasius Kircher existed as ‘the last Renaissance

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