Commedia Dell Arte History

Decent Essays
Commedia Dell’ Arte is a form of theatre characterized by masked "types" which began in Italy in the 16th century and was responsible for the advent of the actresses and improvised performances based on sketches or scenarios. Commedia Dell’ Arte means an improvised kind of popular comedy in Italian theaters that is based on stock characters. Actors adapted their comic dialogue and action according to a few basic plots (commonly love intrigues) and to topical issues during the 16th-18th century. Commedia Dell’ Arte was used in theaters as early as Rome in 1551. It was created in Italian theaters as a form of comedy and tragedy. Commedia Dell’ Arte also gave women the ability to perform on stage for the first time. Commedia Dell’ Arte today is sometimes used in movie, theatre productions and many other forms of entertainment. Some movies that use Commedia Dell’ Arte is “The Phantom of the Opera” when the ending scene has at the beginning of Don Juan Triumphant written none other than the masked phantom of the Paris Opera house, the beginning of the play everyone but the young maiden wears a mask this one form of Commedia Dell’ Arte. In greek theater they used masks …show more content…
For example in a famous greek story Oedipus the King, some theatres have used different masks that are used for specific characters like for the peasants the will have much different masks and as well as cloths than the royal family, the seer, the council and the corus. Some circuses also use Commedia Dell’ Arte for performances were a performer will wear a mask while doing a stunt or clowns will wear mask to entertain children. Some Commedia Dell’ Arte performances will be pantomimes were the will were masks and do thing that the narrator says the action that is going

Related Documents

  • Great Essays

    Musicking The Now Analysis

    • 1324 Words
    • 6 Pages

    On the surface, one might not think that the great Italian opera La Traviata by Giuseppe Verdi and the acclaimed indie group Dinosaur Jr. have much in common. One concert, for instance, took place in an intimate performing arts center to an attentive and quietly reverent audience while the other in a loud, rough-and-tumble rock venue to a lively and informal audience. Indeed, there may appear to be no similarities between the effortlessly skilled classical stylings of the UNT College of Music and the deliberately ramshackle indie sound of Dinosaur Jr. However, with these two concerts, we see Christopher Small’s concept of “musicking” in full effect and, critically, two different forms of the same musical elitism.…

    • 1324 Words
    • 6 Pages
    Great Essays
  • Decent Essays

    IATI Theater History

    • 149 Words
    • 1 Pages

    IATI Theater is a New York-based, non-profit theatre organization established in 1968. In its 47 years, IATI has produced thousands of quality programs of plays, workshops and staged reading in culturally underserved Latino communities throughout the five boroughs and points beyond. We reach Latino communities where they live, learn and play. Our celebrated workshops for adults and seniors, enhancing different aspects of performing arts, are offered in English and Spanish, instructed by qualified staff, and are customized to meet the special needs and objectives of participating individuals and organizations.…

    • 149 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    Les Ballets Trockadero De Monte Carlo is a Ballet group founded in 1974. They are a group of only male dancers with the purpose of performing a playful and entertaining view of traditional classic Ballets like Le Lac Des Cygnes (Swan Lake), “Pas De Six” From Esmeralda, and Don Quixote, presented on Sunday, January 29, 2017 at the Mondavi Center. The Company consists of 34 members including :Tory Dobrin is the Artistic Director, Isabel Martinez Rivera as Associate director, Liz Harler as General Manager, Ryan Hanson wardrobe supervisor, Ken Busbin and Jeffrey Sturdivant as costume designers...etc. Corresponding, the atmosphere throughout the Ballet concert was particularly diverse considering there were three dance performances during the one…

    • 683 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    In early Greek theater they were mainly done for honoring their gods of the city it was conducted. Athens was the centerpiece for theatrical drama. When Greek theater first started the actor, director, and the dramatists were the…

    • 560 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Sympathies In Film

    • 365 Words
    • 2 Pages

    The aspect of reality is very complex and difficult to understand. However, it has been able to perceive it by the clear connection of cinema with other ideas that are well understood by most of the people. Most of the readers contend that reality and the various semiotics that are available in the community are not easy to comprehend and relate to. Pasolini and the other authors have managed to eliminate these controversies by giving as many examples as possible and being able to explain the difficult points using other views that are normally available to make it easy to relate and understand (Pasolini 212). In general, any film consisting of the life’s details is always interesting to watch, as audience can relate the events with the happenings around them.…

    • 365 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    In Shakespeare’s play, Verona is represented using props, and the rest of the setting was left for his audience to figure out themselves - his audience had to imagine Verona. But Franco Zeffirelli brings Verona to life in his film adaptation by filming it in locations that reflected 14th century Renaissance Italy. By recreating Verona, Zeffirelli gives the audience a better understanding of what Verona was like and makes the audience feel like they are there to experience the story. Franco Zeffirelli brings the audience to the place. Meanwhile, Baz Luhrmann presents the story in a modern setting: fictional Verona Beach in Mexico City.…

    • 1072 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Commedia Dell Arte Essay

    • 752 Words
    • 4 Pages

    Commedia dell’Arte of the 17th century was popular in Italy. According to Winifred Smith’s The Commedia dell’Arte, the major characteristics of Commedia dell’Arte was “improvised dialog on an outline plot, set speeches, and masked clowns.” According to La Commedia Inglese, by Talia Felix, the literature of which they used was a theme of which told the outline of the story and the actors had to act according to the given theme. There were no playwrights for Commedia dell'Arte, the performers were full-time professionals of which also included women.…

    • 752 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The film Julieta, and the way in which it was exhibited encapsulate the key qualities of art cinema. Julieta attests to art cinema’s ability to travel after successfully journeying through multiple film festivals and still maintaining an ease to be comprehended and understood by international audiences. The film’s recognizable aesthetics urged The Film Society of Lincoln Center to program Julieta during the New York Film Festival’s Main Slate category based on the knowledge that Almodovar’s auteurism is widely celebrated and has a large cult following. Almodovar’s following consequently puts more people in the audience to watch his film, increasing ticket revenue for the festival. Finally, the exhibition of Julieta at the New York Film Festival places the film in the art cinema category, and therefore a position of sophistication in comparison to the movies released by the commercial film industry…

    • 1366 Words
    • 6 Pages
    Improved Essays
  • Superior Essays

    This often includes manipulating settings, appearances and manners. In order to maintain the performance actors what to give off, they must practice ‘expressive control’ so that they can stay in character. When performers aren’t front stage, they are backstage and can thus be their true selves, let loose and practice for their…

    • 1568 Words
    • 7 Pages
    Superior Essays
  • Improved Essays

    Over the centuries, theatre conventions evolved from the highly presentational performances of the Greeks to the extravagance of Elizabethan productions and eventually conglomerated to produce contemporary theatre. The University Playhouse’s performance of Acting: The First Six Lessons expressed this conglomeration of Greek and Elizabethan conventions through elements of presentational theatre, a non-localized set, and a supporting cast that functioned similar to a chorus or ensemble. This performance also altered conventions through the addition of female actors, use of representational aspects, adaption of the functions of the chorus or ensemble, and lack of a raised stage. In the following sections, I will discuss the adoption and adaptation…

    • 905 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Baz Luhrmann’s film Romeo and Juliet is an appropriation of Romeo and Juliet. Both share similar ideas yet also reflect their different time and audiences. In light of this statement, choose at least one key scene in the story and compare and contrast the two scenes. Baz Luhrmann’s “William Shakespeare’s Romeo and Juliet” is a modern compliment to an old vision. In order to appreciate Baz Luhrmann’s appropriation of “Romeo and Juliet” we must first address the differing audiences to whom Shakespeare & Luhrmann were pitching their productions.…

    • 1136 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Commedia dell’Arte: The Foundation of Modern Comedy While the exact origins of Commedia dell’Arte are unknown, it is one of the most influential forms of theatre. It has been a foundation for comedic theatre since around 1545. This unique form of comedy has influenced writers and performers all over the world. Similarities to Commedia dell’Arte can be found in the writings of William Shakespeare, in the acting choices of some of the most famous comedians and even in modern day television. It has helped pave the way for modern day improv and has inspired many great characters; on the stage, in movie, in comics and even in video games.…

    • 877 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Musicals are usually romantic which subjects to lovers focus. From Parkinson (2007) mentioned that musicals derives from oppositional aspects and contrasting behaviour of the male and female characters instead of focusing on the causal-chronological progress of the film. (p. 249) The Phantom of the Opera (2004) matches what Parkinson has mentioned which is a musical romance film which focused on oppositional characteristics and contrasting behaviour of how the main characters face their love. However, it contains a bit horror as the extreme characters and setting involved.…

    • 1895 Words
    • 8 Pages
    Improved Essays
  • Improved Essays

    Italian neorealism also known as the Golden Age of Italian Cinema, is a national film movement that helped shaped the 1948 Vittorio De Sica’s film The Bicycle Thieves. Familiar to Italian neorealism, they story follows Antonio a character amongst the poor and the working class. Neorealism is a strong aspect to the film because of the use of being filmed on location and often using nonprofessional actors that are going through post World War II tough economic and moral conditions. The conditions analyzed included everyday life that including poverty, injustice, and desperation.…

    • 931 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    Dance In The Romantic Era

    • 1407 Words
    • 6 Pages

    Introduction Between 1830 and 1850 classical dance has evolved significantly from its early years in French aristocratic court life, but no other period in its history created such monumental change as the Romantic Era. Despite the brevity of this period, it created radical change and helped form ballet into what it is today. Its impact can be seen in simple changes to costuming and theatrical innovations, which made a significant and substantial impression on how the public perceived dance. These technological advances revolutionised the theatre going experience. Iconic themes that were generated by the likes of Marie Taglioni brought depth and emotion to what were previously one-dimensional storylines, along with the development of how the…

    • 1407 Words
    • 6 Pages
    Great Essays