Cinematic Codes And Conventions

Superior Essays
Intro - what/history - how, when, who, examples/chosen film
Surrealism is an artistic cinema style that purposely deviates from traditional, Hollywood-style film conventions. Originally a literary movement, surrealism was first introduced to cinema in the 1920s by filmmakers André Breton, Salvador Dali and Luis Buñuel. Early filmmaking was often experimental, with directors and producers exploring the technical processes of mise en scène, narratives and post-production alterations. Surrealist cinema was adventurous, challenging audience perception through the use of shocking, irrational and unreasonable imagery. A surreal film characteristically does not make sense or follow mainstream cinematic codes and conventions. The French film, Entr'Acte (1924) by Erik Satie and René Clair,
…show more content…
Entr'Acte inspired a new cinematic style, followed closely by films such as Le fantôme du Moulin-Rouge (1925), Meshes of the Afternoon (1943) and The Holy Mountain (1973). Decades later, these unconventional techniques have reappeared in Hollywood Blockbusters in order to keep audiences interested. This is evident with contemporary films such as Martin Scorsese's Shutter Island (2010), Christopher Nolan’s, Inception (2010) and Juan Solanas' Upside Down (2012). Characteristics of style - what they are and their effects on audience
Surrealist cinema was closely derived from the corresponding avant-garde literary and artistic movement that emerged in Paris from 1921 to 1941. The movement drew upon bizarre, evocative imagery and purposefully avoided logic and rationality. The imagery aimed to liberate the creative power of the unconscious mind. Various techniques were used to illustrate the subconscious such as dreamscapes, hallucinations and random image generation (source 1). Surrealist film is very similar to surrealist art, and lacks a narrative or structure. It focuses on drawing the audience's

Related Documents

  • Improved Essays

    Its main purpose is to persuade and manipulate the public opinion. Surrealism is an irrational art form that takes inspiration from the art form Dadaism. surrealism is very similar to dadaism but it has it's own unique style that differentiates it from dadaism. They both may form around the idea of absurdity, abstractness, sometimes meaningless. What makes surrealism different from dadaism was the fact that surrealism took their art work seriously and not anti art.…

    • 745 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    In “‘An Amusing Lack of Logic’: Surrealism and Popular Entertainment,” Eggener describes the situation of how Surrealism rose to gain popularity in American entertainment with the help of Salvador Dali, yet it almost fell back down with him as well. Surrealism came to America during the 1930s and its journey to popularity was not exactly smooth in the United States until years later with the assistance of Dali (31). The article states that Americans felt that “Surrealism was an irritation to those with growing perceptions of a national art with meaning and dignity” (31). Many people were huge critics of…

    • 348 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Entr’Acte is an early avant-garde film produced by Erik Satie and Rene Clair. In this film, two artists integrated repetitive moving image with one melody, which kept coming back, and they diffused their attitude of life into the entire production. Absurdity and repetition play extremely important roles in Entr’Acte, that both of the characteristics not only reconcile one foundational structure of the film, but also create hierarchical variations in either visual aspect or auditory aspect. Repetition in Entr’Acte builds up the fundamental structure rather than confuse the audience. Some scenes are repetitive like the overlapping architecture, ballet dancing, roller coaster.…

    • 464 Words
    • 2 Pages
    Improved Essays
  • Decent Essays

    Thomas Drake Jr. LIT 106 Professor Edward Kihn Short Paper Response Assignment 1 Question 1 Characterize some of the major changes from filmed “actualities” to early narrative cinema (5%): The characteristics of the major changes from filmed “actualities” to early narrative cinema began in the early 1900’s. An actuality film is a non-fiction film portraying footage through a real event. A narrative cinema was a fictional film presenting the audience a story.…

    • 383 Words
    • 2 Pages
    Decent Essays
  • Great Essays

    Kolker, Robert. "Mise-en-Scene." Film and Culture. N.p., n.d. Web. 02 Aug. 2012. . Pizello, Stephen.…

    • 3804 Words
    • 16 Pages
    Great Essays
  • Great Essays

    According to film scholars, mise-en-scène refers to everything that is on screen, and the way the look and feel of a film tells a story. The different, interworking aspects of mise-en-scène also help to immerse the viewer into the film’s setting, mood, and even mind of a character. This is always a challenge for directors who wish to convey a certain message through their film and, keep the attention of the audience, as well. While mise-en-scène generally refers to the appearance of a film, it can also be interpreted as the way the actors present their characters and how the audience identifies with their performance. Nicolas Ray’s Rebel Without a Cause is one example of a film that captures the audience’s attention through its mise-en-scène and sheds light on the issues of society at that time.…

    • 1546 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Although a movie can have many thematic concepts, it allows you to derive your own theme that can enlighten you about an issue. Cinematographic techniques can greatly influence the structure and meaning of a film, giving you a sense of realism and involvement. New worlds, ideas and adventures are created by the different genres. When it is all put together…

    • 1724 Words
    • 7 Pages
    Improved Essays
  • Great Essays

    Schindler's List Narrative

    • 1403 Words
    • 6 Pages

    Film is portrayed as the art of stimulating experiences that convey ideas, emotions and surrounding environments through the use of the mechanical and automatic recordings that reproduce reality; being both past and present. Bergson describes cinema as being directly related to the function of intellect (Deleuze, 1986:1-4). Many theorists have stressed the importance of film’s ability to represent reality and the truth that might have other wise been overlooked. This truth derives from film’s ability to produce images through its mechanical process of reproduction, which does not require human involvement in the initial recording process. This is the reason for much speculation of whether film can be considered ‘art’.…

    • 1403 Words
    • 6 Pages
    Great Essays
  • Improved Essays

    Anti-Realism - As it’s not realistically filmed the films using this structure tend to be action or si-fi. It usually is quite surreal which keeps the audience in disbelief. An example of this would be the Mighty Boosh, which is a very surreal and alternative form of anti-realism due to the fact that it is very strange and also quite dream-like. We know this because in one scene the two protagonists are buried to their necks in sand and shots where smoke was coming off one of their heads.…

    • 547 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    German Expressionism and Soviet Montage are two styles of filmmaking that emerged in the early 1920’s. German Expressionism can be seen as a reactionary art movement to the poverty stricken Germany in the wake of a crushing defeat in WWI. Its stylistic techniques as well as subject matter embodied the tone of the German masses in the post war era. Soviet Montage was also stylized by the current state of the Soviet Union that created it, it was popularly used as a form of propaganda and the political messages of the time are hard to miss.…

    • 769 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Orson Welles’ first film, “Citizen Kane,” richly realizes the full potential of excellent craftsmanship. Every perceivable element of cinema is expertly utilized to drive the story, themes and tones that “Citizen Kane” present. This is especially apparent in the scene that follows Susan leaving Kane. This scene’s manipulation of mise-en-scène, editing and sound bring together all of Welles’ ideas and drive them beyond the finish line. Mise en scène is what appears in the frame, what the viewer sees.…

    • 1326 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    As stated by the famous surrealist artist, Rene Magritte, “Everything we see hides another thing, we always want to see what is hidden by what we see”. Majority of his paintings were done during the surrealism movement. This movement began in the 20th century and it allowed artists and writers to tap into the unconscious minds of individuals through their creative works. Rene Magritte used common everyday objects in his paintings and transformed them into cryptic and thought provoking images by using veils, colors, and proper placement of objects and people. In order to understand the meaning behind Magritte’s paintings, one must understand the artist.…

    • 1221 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Film, in general, is a narrative medium, or, at least, a medium of many narrative capacities” (Kuhn). For a film to be a narrative it must present a story with a series of events in ways that imply connections between one event and the next. Narratives must, therefore, have constituent parts, which are also discernibly related; however, the type of relationship may vary greatly. Generally we expect a cause-and-effect relationship: one event has the effect of causing another event, which causes another, and so on. Narratives also require narration, or communication.…

    • 373 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Classical Hollywood and neorealism are two important movements that have equally influenced the development of filmmaking. They both engage the audience into the film but their narrative conventions do differ from each other. The significance of the location and actors used differentiates the two approaches; as neorealism focuses on portraying reality by avoiding the glimmer of Hollywood stars and mise-en-scène. This allows neorealism to express the natural occurrences in life and the social issues of its time. CHC is known to use continuity editing to produce a naturalistic flow in its narrative to engage the audience in the film, but neorealism avoids these techniques because they simply illustrate an illusion of reality.…

    • 962 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    FAR FROM THE MADDING CROWD (AN ART FILM) An art film or art cinema is typically a serious, independent film aimed at a niche market rather than a mass market audience. It is intended to be a serious artistic work, which is experimental and not adhere to mass audience. They are made basically for aesthetic reasons than commercial profit, and contain exceptional or highly individualistic content. It includes, among other elements, a social realism style, an emphasizing on the passion of the director. It focuses on the thoughts and dreams of characters, rather than presenting a clear, goal-driven story.…

    • 744 Words
    • 3 Pages
    Improved Essays