Analytical Essay: Anger In Theatre

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Anger is a form of communication that discloses important information about the obstacles oppressed people meet. For romantic period writers, anger was a cross of rational justice and irrational savagery, and determining its position in society and in their own work as a tool or weapon tackles them as a vital task (Stauffer 2).

Anger often plays as a tool of truth, pointing out injustices, betrayals and false states of affairs and seeking to even scores. To this point, the romantic poets, angry satire was a highly rhetorical art and also a test of honesty, a theatrical act meant to remove masks and see behind it (Stauffer 6).

Anger was an important political tool to women envisioning a new America in the 70s. It enabled
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The language is made up of puns and repetitions, as the conversation seems to go round in circles. To us, the plays can appear widely comic and have elements of commedia, burlesque and music hall in their roots. However, underneath the apparently pointless communication there can be a distinguished serious message or discussion at metaphysical level, to do with existence and death. Surrealism, existentialism and expressionism are important influences, when it first appeared in Paris theatre of the absurd was viewed as shocking in its refusal to hold to any known theatrical conversation but at the end of the 60s it was becoming known as a right and valuable form and become a mainstream. Characteristics of the absurd theatre are existential settings, use of symbolism in technical aspects and dialogue repetitive, circular and full of puns and terminology (Rush 170).

One of the major characteristics of the absurd theatre drama is that the characters have no place to go to. They in general attach themselves on place and it is hard to free themselves from it which comes after this act the emotion and action of anger. One can
Even find a similarity of place where the major characters of the play meet other characters (Al-Aabedi

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