The stage is arranged with a black background with only a light shining on Freeman to accentuate the value and contemplative power of the speech. The stage being bare with no actors or props allows for the audience to solely focus on Freeman’s placid voice and envisage the last two stages of man for themselves. His facial expressions throughout the speech are authentic and genuine as he makes eye contact with the audience in front of him. Freeman’s certainty on stage allows for the audience to regard Shakespeare’s last stages of man to be a serene transformation. Freeman delivers the last two stages of man with a harmonious tone and portrays the stages as a graceful evolution. Freeman’s interpretation of the speech allows for the audience to understand and develop their own thoughts on Shakespeare’s
The stage is arranged with a black background with only a light shining on Freeman to accentuate the value and contemplative power of the speech. The stage being bare with no actors or props allows for the audience to solely focus on Freeman’s placid voice and envisage the last two stages of man for themselves. His facial expressions throughout the speech are authentic and genuine as he makes eye contact with the audience in front of him. Freeman’s certainty on stage allows for the audience to regard Shakespeare’s last stages of man to be a serene transformation. Freeman delivers the last two stages of man with a harmonious tone and portrays the stages as a graceful evolution. Freeman’s interpretation of the speech allows for the audience to understand and develop their own thoughts on Shakespeare’s