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34 Cards in this Set
- Front
- Back
generally have an agreed meaning, or connotation, to their audience |
Media codes |
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three types of media codes |
symbolic codes, technical codes and written codes |
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are expected ways in which codes are organised in a product |
Conventions |
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are accepted ways of using media codes |
Conventions |
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are closely connected to the audience expectations of a media product. |
Conventions |
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Different types of conventions include |
form conventions, story conventions and genre conventions. |
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are the certain ways we expect types of media's codes to be arranged. |
Form conventions |
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Most video forms follow a set of editing rules and techniques called |
continuity |
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editing which allows for the audience to easily understand what is going on in a scene and who is talking to who. |
continuity |
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point to the common use of tropes, characters, settings or themes in a particular type of medium. |
Genre conventions |
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are closely linked with audience expectations |
Genre conventions |
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Systems of signs which create meaning to communicate ideas and impressions for an audience, producers, and other stakeholders |
CODES |
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Technical, written and symbolic tools used to construct or suggest meaning in media forms and products. |
Codes |
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These include techniques and methods like camera angle, shot type, and lighting. |
TECHNICAL CODES |
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in films, this pertains on the way the camera is moved, which makes a big contribution to the story. |
Camera techniques |
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is the presentation of visual elements in an image, especially the placement of the subject in relation. to other objects. |
Framing |
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the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image. |
Depth of field |
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the amount of light and the direction of the light source can give meaning to the viewer of the film. |
Lighting |
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refers to the amount of light being captured by the camera. It is directly connected to the brightness and darkness of the image |
Exposure |
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the contiguous positioning of either two characters, objects, or scenes in sequence, to compare and contrast them. |
Juxtaposition |
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use of language style and textual layout (headlines, captions, speech bubbles, writing style, etc.) |
WRITTEN CODES |
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The way titles or headlines are presented. |
WRITTEN CODES |
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Indicators that require inferences among the audience, delving into the symbolic meaning rather than the literal meaning. |
SYMBOLIC CODES |
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For example, a character's actions show you how the character is feeling. |
SYMBOLIC CODES |
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refers to a standard or norm that acts as a rule governing behavior. |
CONVENTION |
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are the generally accepted ways of doing something. |
CONVENTION |
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people engaged in the process of creating and putting together media content to make a finished media product. |
PRODUCERS |
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Media Producers' job in fields such as: |
Broadcasting Film Television Commercials |
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the group of consumers for whom a media message was constructed as well as anyone else who is exposed to the message. |
AUDIENCE |
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TYPE OF CODES |
TECHNICAL CODES WRITTEN CODES AUDIO CODES SYMBOLIC CODES |
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Example: dialogue (Speech/Word, Accent, Tone), Music (Pace/Tone, Instruments, Lyrics), Sound Effects. |
AUDIO CODES |
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the information sent from a source to a receiver |
Messages |
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libraries, archives, museums, internet and other relevant information providers. |
STAKEHOLDERS |
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These include codes related to sound. |
AUDIO CODES |