Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
57 Cards in this Set
- Front
- Back
Mies Van Der Rohe |
Geometric clean design
|
|
John Utzon |
Sydney Opera house |
|
Frank Lloyd Wright |
organic warmth,fit in with enviroment |
|
Ken Kellog |
Futurism |
|
Edward Munch |
expressionism, emotions
|
|
Kandinsky/Pollock |
Abstract expressionsm |
|
Braque/Picasso` |
geometric designs, viewer interprets |
|
Jean Paul Satre |
reflect back on ourselves , objects hold ambitions |
|
Gary Marvin |
Fox Hunting |
|
Frank Gehry |
guggenheim museum |
|
Charles Moore |
Piazza D'italia |
|
Arata Isozaki (2) |
dancing building, statocentre |
|
Cristo and jean claude (2) |
wrapped reichstag, Central park gates New York |
|
judy chicago |
feminist |
|
julian schnabel 2 |
plate paintings, broken ceramic |
|
Modernism
|
reinforced steel, concrete cement, high tempered glass. moving up, rationality, efficient, egalitarian, linear,
|
|
Le courbusier
|
1923- house is a machine..
|
|
Purism
|
clean lines, little as possible work
|
|
dancing building in prague/guggenheim museum bilbao
|
frank gehry
|
|
influential writer in neo pagan circles
|
Starhawk
|
|
Charles Jencks
|
post modern buildings are double coded
|
|
The dinner party
|
Judy Chicago
|
|
human alienation by Edvard Munch
|
The Scream
|
|
Aikido learned through _____
|
Mimicry instead of theoretical approach
|
|
Tamara Kohn
|
Aikido study, non work and work, aikido a "calling"
|
|
Aikido teaches you____
|
how to move your body through the world
|
|
Kohn "rites of mats"
|
Local- Share basic practice
Stranger- picked up other practices |
|
Appadurai
|
Social Imaginary- I share something with someone as the same style
|
|
Greg Downey
|
Capoeira, cunning goal, never be predictable
|
|
Roda
|
Circle of people around 2 practitioners, music playing, music speaks to fighters and tells stories,
|
|
Foxes have ___
|
undisciplined bodies, are unpredictable, are athletes
|
|
Hounds are breed for (3)
|
1)Voice-deep bark
2) Coat Color 3)Endurance |
|
Modernism is___ , Post Modernism is___
|
Production, consumption
|
|
Natasha Dow Schull
|
Addiction by design
|
|
Julian Dibbell
|
Ludo Capitalism, playful capitalism, manipulate emotions
|
|
Flow
|
Speed of uninterrupted play
|
|
How many pulls per hour
|
900-1200, physical satisfaction for gear pull
|
|
Michel Foucault
|
Gambler being disciplined, machines influence/coerce humans
|
|
Walter Benjamin
|
Gambler like factory worker, laborer. Machine tries to make you stay longer
|
|
People should leave if : (3)
|
1) Bathroom
2) Watch live show 3)Bankrupt |
|
Bailey's privacy zone cabinet
|
Surrounds gambler
|
|
Machine engineers control :(5)
|
1)Light
2)Color 3)Animation 4)Sound 5)Space |
|
How many sounds avg per game?
|
400, impact on emotions
|
|
% of space is slot machines?
|
70-80%
|
|
Credit card for gamblers
|
Arriva, borrow up to 10,000
|
|
Gilles Deleuze
|
Ludo capitalism brings humans and machines together, collusion
|
|
Teresa Caldeira
|
Fortified Enclaves in Sao Paulo
|
|
5 reason for fortified enclaves
|
1) Massive inflation(1000%)
2)Working class couldn't afford big houses 3)1973-1993 1.1%-19.4% people in illegal shanty 4)People moved to post industrial economy 5) Crime skyrocketed to feed population |
|
Jaqueline Waldren
|
Deia, Spain, Artist Cult.
|
|
Expatriates
|
group at identifies with a nation/group outside of where you're living
|
|
Mandalas
|
temporary structures, meditation devices
|
|
Lilith
|
Lothlorien place where she could express her religion/rituals
|
|
Chris
|
Lothloiren was place where he could be himself and unconditionally accepeted
|
|
Julie
|
Lothlorien was place where she was comfortable to get help from people
|
|
Braze
|
Plants and insects are enchanted, relationship. Decoy
|
|
Frank
|
Land is decorated with candles and shrines, gives it magical feel, road guides people
|
|
Jef
|
Festivals and rituals reinforce connections between people and land, gives people constant positive image from their work
|