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58 Cards in this Set
- Front
- Back
stimuli
|
a thing or event that evokes a specific functional reaction in an organ or tissue
(pg 139) |
|
Neurochemistry
|
is the specific study of neurochemicals that influence neuron function.
(pg 139) |
|
Sensation
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The process by which our sensory receptors and nervous system receive and represent stimulus energies from our environment
(pg 139) |
|
bottom-up processing
|
analysis that begins with the sensory receptors and works up to the brain's integration of sensory information
(pg 139) |
|
Perception
|
How we select, organize and interpret our sensations
(pg 139) |
|
top-down processing
|
information processing guided by higher-level mental processes as when we construct perceptions drawing on our experience and expectations
(relating stored knowledge to the sensory input) (pg 139) |
|
Prosopagnosia
|
the lose of the ability to recognize people
(pg 139) |
|
Psychophysics
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the study of relationships between the physical characteristics of stimuli and our psychological experience of them
(pg 140) |
|
absolute thresholds
|
the minimum stimulation necessary to detect a particular light. sound pressure taste or odor 50% of the time
(the red dot demonstration in class) |
|
subliminal
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below one's absolute threshold for conscious awareness
(pg 140) |
|
adaption
|
our diminshing sensitivity to an unchanging stimulus
(pg. 142) |
|
wavelength
|
the distance from the peak of one light or sound wave to the peak of the next
(pg. 145) |
|
hue
|
the color we experience (ex blue or red)
|
|
Intensity
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the amount of energy in the wavelength or a sound wave that determines the brightness or loudness. as determined by the wave's amplitude
(pg. 145) |
|
cornea
|
bends the light to provide focus and protects the eye
(pg. 144) |
|
pupil
|
a colored muscle that adjusts in size to regulate the amount of light reaching the retina.
(pg. 144) |
|
iris
|
adjustable small opening (pupil) in the center.
(pg. 144) |
|
lens
|
focuses incoming light rays into an image on the retina
(pg. 145) |
|
retina
|
a multilayered tissue on the eyeball's sensitive inner surface, sensitive to light and that trigger nerve impulses
(pg 145) |
|
accommodation
|
the lens focusing the rays by changing its curvature
|
|
rods
|
retinal receptors that detect black, white, and gray; necessary for peripheral and twilight vision , when cones don't respond
(pg. 145) |
|
cones
|
retinal receptor cells that are concentrated near the center of the retina and the function in daylight or in well-lit conditions. The cones detect fine detail and give rise to color sensations
(pg. 145 |
|
optic nerve
|
carries information to your brain
(pg. 146) |
|
blind spot
|
when the optic nerve leaves the eye... so no receptor cells are located there
(pg 146) |
|
fovea
|
the central focal point in the retina around which the eye's cones cluster
(pg. 147) |
|
feature detector
|
neurons that receive information from individual ganglion cells in the retina
(pg. 147) |
|
parallel processing
|
the brain's natural mode of information processing for many functions
(pg. 149) |
|
blindsight
|
a localized area of blindness in part of their field of vision
(pg. 149) |
|
Young- helmholtz trichromatic theory
|
the theory that the retina contains three different color receptor- sensitive to blue green and red- which when stimulatied in combination can produce the perception of any color
(pg. 151) |
|
Opponent process theory
|
the theory that opposing retinal processese (red-green, yellow-blue, white-black) enable color vision. For example, some cells are stimulate by green and inhibited by red; other are stimulated by red and inhibited by green
|
|
audition
|
hearing
(pg. 151) |
|
frequency
|
the number of complete wavelength that pass a point in a given time
(pg. 153) |
|
amplitude
|
strength of the sound waves
(pg. 152) |
|
pitch
|
a tone's experienced highness or lowness; depends on frequency
(pg. 153) |
|
decibels
|
how we measure sound
(pg. 152) |
|
middle ear
|
tramits the eardrum's vibrations through a piston made of three tiny bones to the cochlea
(pg. 153) |
|
cochlea
|
a snail- shaped tube in the inner ear through which sound waves trigger nerve impulses
(pg. 159) |
|
inner ear
|
the innermost part of the ear containing the cochlea semiciruclar canals and vestibular sacs
(pg. 153) |
|
four distinct skin senses
|
cold, pain, pressure warmth
(pg. 155) |
|
gate control theory
|
the theory that the spinal cord contains a neurological "gate" that blocks pain signals or allows them to pass on to the brain. The "gate" is opened by the activity in larger fibers orby information coming from the brain
(pg. 157) |
|
gesalt
|
an organized whole
(pg 163) |
|
grouping
|
the perceptual tendency to organize stimuli into coherent groups
(pg. 163) |
|
vestibular sense
|
the sense of body movement and position including the sense of balance
(pg. 162) |
|
proximity
|
grouping nearby figures together
(pg. 164) |
|
similarity
|
grouping similar figures together
(pg. 163) |
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continuity
|
perceiving smooth continuous patterns rather that discontinuous ones
(pg. 164) |
|
connectedness
|
perceiving something as a single unit
(pg. 164) |
|
closure
|
filling in gaps to create a a complete whole object
(pg. 164) |
|
depth perception
|
seeing objects in three dimensions enabling us to estimate the distance objects are from us
|
|
visual cliff
|
a laboratory device for testing depth perception in infant and young animals
(pg. 165) |
|
binocular cues
|
depth cues, such as retinal disparity, that depend on the use of eyes
(pg. 165) |
|
retinal disparity
|
a binocular cue for perceiving depth by comparing images from the two eyeballs the brain computes distance- the greater the disparity between the two images the closer the object
(pg. 165) |
|
shape constancy
|
perceiving the form of familiar objects as constant even while our retinal images of them change
(pg. 168) |
|
color constancy
|
perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object
(pg. 167) |
|
perceptual constancy
|
perceiving objects as unchanging (having consistent lightness. color, shape, and size) even as illumination and retinal images change
(pg 167) |
|
size constancy
|
perceiving object as having a constant size
(pg. 168) |
|
lightness constancy
|
perceiving an object as having a constant lightness even while its illumination varies
(pg. 169) |
|
relative luminance
|
amount of lights an object reflects relative to it surroundings
(pg. 169) |