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29 Cards in this Set

  • Front
  • Back
Nineteenth-century writers, painters, and musicians were highly __________ in their approach to the arts, vividly expressing their most intimate and personal thoughts and experiences in the effort to assert their individual personalities.
subjective
__________ was one of the outstanding characteristics of the Romantic period, for Romantics were fascinated not only with their own psyches, but also with the most personal expressions of others
Individualism
(T/F) A fundamental goal of the Romantic style was the blending of painting, literature, and music.
TRUE
The term romantic comes from __________, the word for a Medieval story or poem of heroic nature in one of the Latin-derived languages.
romance
Each of the following terms applies to the Romantic period except
-mythical.
X mundane
-heroic
-supernatural
(T/F) Many Romantics replaced God with nature, or saw God in nature.
TRUE
Nineteenth-century society was entirely changed by the __________ Revolution.
Industrial
During the Romantic period, art was largely supported by the __________ class, who were willing and generally able to pay for what they appreciated.
middle
(T/F) No one produced "art for art's sake" during the Romantic period, when artists sought to please everyone's tastes.
FALSE
__________ became an important movement in the later part of the nineteenth century, as European countries sought to establish their political and stylistic identities.
Nationalism
The Romantics were drawn to and fascinated by all of the following except
-exotic cultures and distant places.
X the musical forms of the Classical style.
-supernatural tales and science fiction.
-an idealized, mystical view of nature.
During the early part of the nineteenth century, history was of great interest; later in the century, the public became more interested in __________ than history, as geology proved how brief the period of recorded history was in comparison with the time humans had lived on earth.
science
Charles Darwin wrote the controversial book _____________ which was praised by those who loved nature but criticized by those who strongly believed in individualism.
-Frankenstein
-Legend of Sleepy Hollow
-History of England
NONE OF THE ABOVE

(T/F) Romantics allowed reason to control their emotions, and thus recovered from physical or mental disorders brought about, or aggravated, by their frustrated emotional states.
FALSE
Nineteenth-century music was so closely married to __________ that consideration of one without the other is inconceivable.
literature
All of the following were characteristic of Romantic architecture except
- little was produced that was new, interesting, or even attractive.
-builders were eclectic in their choice of styles, imitating rather than innovating.
X churches, which often symbolized a kind of rational faith during this period, were simple and Classical in style.
-opera houses exploited the more fantastic aspects of the Baroque.
(T/F) During the Romantic period, public buildings often followed classical lines, more from a sense of convention than from any artistic conviction.
TRUE
Innovation in sculpture was rather dormant, although the nineteenth century produced the great sculptor
Rodin
Two Englishmen, Constable and Turner, were the greatest of all __________ painters, in accordance with their romantic love and reverence for nature.
landscape
(T/F) It was during the nineteenth century that music first became a lucrative business.
TRUE
All of the following were TRUE of the Romantic period except
-music entrepreneurs, including P. T. Barnum, brought music to a wider-than-ever audience.
-virtuoso musicians, who were in great demand during this age which exalted the individual, finally had the services of managers.
- as the public became more musically aware, choral societies were organized.
X printed music was expensive and not widely available.
(T/F) Romantic composers generally preferred long, lyrical melody lines to the motivic melodies associated with the Classical composers.
TRUE
The varied repetition of expressive melodies, often associated with extra-musical ideas, is called
transformation
When the same thematic material recurs in two or more movements of a multimovement composition, the work is
cyclic
All of the following were characteristic of Romantic harmony except
-the concept of tonal harmony was greatly expanded during the nineteenth century.
-chromaticism was used more freely, and increasingly dissonant chords provided colorful and dramatic effects.
X the orchestra decreased in size.
-for the first time, orchestration became an art in itself.
The Romantics were more interested in __________ than in form, and most of them considered the Classical rules of formal design confining.
expression
Nikolai Andreyevich Rimski-Korsakov and the following Russian composers were all associated with the nationalistic movement known as The Five except
- Mili Balakirev.
- Alexander Borodin.
-Modest Mussorgsky.
X Peter Tchaikovsky.
-multimovement form unified by recurrence of the same or similar melodic material in two or more movements
cyclic form
-late nineteenth-century artistic movement in which the consciousness of national characteristics led artists of manynationalities to turn from the dominance of German influence in the arts to reflect the cultural characteristics of their own and other countries
nationalism