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48 Cards in this Set
- Front
- Back
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Leonardo |
1)Virgin of the Rocks/Italy/High Renaissance/1485 2)Last Supper/Italy/High Renaissance/1495-98 3)Mona Lisa/Italy/High Renaissance/1503-1506 |
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Bramante |
Tempietto/Italy/High Renaissance/1502-10 Tomb was commissioned by Ferdinand and Isabella. Inspired by classical antiquity (Roman/Greek architecture)
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Michelangelo (part 1) |
Pieta/Italy/High Renaissance/1500 David/Italy/High Renaissance/1501-04 commissioned for Cathedral of Florence traditional depictions show victory, not before the battle |
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Michelangelo (part 2) |
Sistine Ceiling Frescos/Italy/High Renaissance/1508-12 Hated painting and did not want do do this piece Commissioned by Pope Julius II |
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Michelangelo (part 3) |
Creation of Adam/Italy/High Renaissance 1511-12 |
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Michelangelo (part 4) |
Last Judgement fresco/Italy/Late Renaissance 1536-41 New St. Peter's/Italy/Late Renaissance/1546-64 |
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Raphael (part 1) |
School of Athens/Italy/High Renaissance/1510-11 Represents greatest philosophers from classical antiquity Also has figures disguised as Michelangelo, Leonardo, and Raphael himself Setting is remodeling of St. Peter's 1 point perspective +grisaille |
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Raphael (part 2) |
Julius II/Italy/High Renaissance/1511-12
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Giorgione |
Tempest/Italy/Venetian Renaissance/1506 Early picture of canvas painting X-rays show that where the man once stood there was a naked woman |
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Giorgione/Titian |
Pastoral Concert/Italy/Venetian Renaissance/1510 Unknown if made by Giorgione or Titian Is an allegory |
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Titian (part 1) |
Pesaro Madonna/Italy/Venetian Renaissance/1519-26 Commissioned by Pesaro family and depicts them |
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Titian (part 2) |
Isabella D'este/Italy/Veneitan Renaissance/1534-36 Done when patron Isabella was 60 years old, but was painted as if she was young |
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Titian (part 3) |
Venus of Urbino/Italy/Venetian Renaissance/1538 Commissioned by Duke of Urbino Possibly shows his lover/wife/young girl |
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Veronese |
Feast in the House of Levi/Italy/Venetian Renaissance/1573
Veronese was called before inquisition. It was originally called the Last Supper. |
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Tintoretto |
Last Supper/Italy/Venetian Renaissance/1592-4 Highly controversial because it showed woman and others with Christ/was disorderly and chaotic/artist was called before inquisition |
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Palladio |
Villa Rotunda/Italy/Venetian Renaissance/1560s Commissioned by wealthy patron as country home |
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Pontormo |
Deposition/Italy/Mannerism/1525-28 Depicts Christ after he is taken off the Cross |
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Parmigianino |
Madonna of the Long Neck/Italy/Mannerism/1534-40 Most noted for the bizarre/impossible anatomy |
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Bronzino |
Allegory with Venus and Cupid/Italy/Mannerism/mid 1540s |
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Cellini |
Saltcellar of King Francis I/Italy/Mannerism/1540-43 |
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Cimabue
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Virgin and Child Enthroned/Italy/Proto-Renaissance/1280 |
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Giotto (part 1) |
Virgin and Child Enthroned/Italy/Proto-Renaissance/1305-10 Depicts same subject as Cimabue |
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Giotto (part 2) |
Arena Chapel Frescoes/Italy/Proto-Renaissance/1305-06 Depicts the life of Christ |
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Duccio |
Maesta/Italy/Proto-Renaissance/1308-11 Inspired by Byzantine art and 43 panels depicts life of Christ |
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Lorenzetti |
The Effects of Good Government/Proto-Renaissance/1338-39 |
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Limbourg Brothers |
Les Tres Riches Heures/France/International Gothic/1411-16 Shows astrological sign and each painting is part of a calender |
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Claus Sluter |
Well of Moses/France/International Gothic/1395-1406 Depicts Moses and other Old Testament figures Was once painted as shown by traces of paint Sluter died before completion, so it was never finished |
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Master of Flemalle |
Merode Altarpiece/Flanders/Early Renaissance/1425-30s triptych depicting annunciation of Christ |
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Jan Van Eyck (part 1) |
Man in a Red Turban/Flanders/Early Renaissance/1433 Is a possible self portrait |
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Jan Van Eyck (part 2) |
Ghent Altarpiece/Flanders/Early Renaissance/1432 polyptych depicting life of Christ |
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Jan Van Eyck (part 3) |
Arnolfini and His Wife/Flanders/Early Renaissance/1434 Commissioned by wealthy man of his and his wife/possible symbolism for fertility |
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Rogier van de Weyden |
Deposition/Flanders/Early Renaissance/1434 |
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Hugo van der Goes |
Portinari Altarpiece/Flanders/Early Renaissance/1474-76 |
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Schongauer |
Temptation of St. Anthony/Germany/engraving/1470-76 |
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Pollaiuolo |
Battle of the Ten Nudes/Germany/Engraving/1465-70 Most likely an anatomy study as the figures are depicted with same features |
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Brunelleschi (part 1) |
Sacrifice of Isaac/Italy/Early Renaissance/1401-02 Made for contest to decorate doors for Florence Baptistry |
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Brunelleschi (part 2) |
Dome of Florence Cathedral/Italy/Early Renaissance/1420-36 Designed by Brunelleschi but Ghiberti was also hired to work on it |
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Brunelleschi (part 3) |
San Lorenzo/Italy/Early Renaissance/1420-36 |
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Ghiberti (part 1) |
Sacrifice of Isaac/Italy/Early Renaissance/1401-02 Made for competition for doors of Florence Baptistry |
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Ghiberti (part 2) |
Gates of Paradise/Italy/Early Renaissance/1424-52 Depicts scenes from Old Testament |
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Donatello (part 1) |
St. George/Italy/Early Renaissance/1417-20 |
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Donatello (part 2) |
David/Italy/Early Renaissance/1446-60 |
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Donatello (part 3) |
Gattamelata/Italy/Early Renaissance/1443-1453 |
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Michelozzo |
Palazzo Medici-Riccardi/Italy/Early Renaissance/1446 Commissioned by Medici family |
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Massaccio (part 1) |
Holy trinity/Italy/Early Renaissance/1425 |
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Massaccio (part 2) |
Tribute money/Italy/Early Renaissance/1427 |
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Fra Angelico |
Annunciation/Italy/Early Renaissance/1438-45 |
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Botticelli |
Birth of Venus/Italy/Early Renaissance/1484-1486 |
