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83 Cards in this Set

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Woven Fabrics Made by
interlacing 2 sets of yarns at right angles
Warp Yarns
VERTICAL yarns
-Ends
-Risers
Filling yarns
HORIZONTAL yarns
-Picks
-Sinkers
Selvage
Lengthwise edges of the fabric
On grain
fabric cut parallel to warp or filling yarns
off grain/ bias
fabric cut NOT parallel to warp or filling yarns
Woven fabrics have best drape in
BIAS direction
woven fabric is produced on a
loom
Heddles
thin vertical wires
V-like opening through which shuttle passes
Shed
Shuttle
wooden device with a bobbin placed inside with a filling yarn wound around it
comb-like device that pushes filling yarn in the shed into body of cloth
reed
sequence in which harnesses are raised or lowered determines
weave
Cloth roll
front of loom
warm beam
back of loom
Most looms today are
shuttleless
Projectile loom
uses projectile to insert filling yarns
-most versatile
-strong fabric
Rapier loom
uses rapier rod or steel tape to pull filling yarn across loom
-makes large patterns
-fine threads
-high quality wool & silk fabrics
Jet looms
use a high-speed jet of air or water to take filling yarn across loom
-fastest
-limited versatility
Air-Jet looms
used for spun or filament yarns
water-jet looms
-no relay nozzles just main nozzle
-good for HYDROPHOBIC fibers
multiphase loom
-uses multiple sheds
-large output
-light to medium weight fabric
rate at which warp yarns pass through the loom determines
picks per inch which affects tightness or loseness of fabric
5 features of woven fabrics
- selvage
- warp & filling yarns
- face and back
- top & bottom
- yarns per inch
Selvage is stronger than body of cloth
- more warp yarns per inch
- plied warp yarns
- greater twist
2 products where selvage is left in tact as a finished edge of the fabric
sheets & bath towels
Warp yarns ALWAYS
parallel to selvage
Warp yarns
- thinner
- more of them
- stripes
- less stretch
Face & back
-face has better appearance & usually used for outside of garment
Face Side
can have top & bottom
-usually caused by weave or finish
Yarns Per Inch/ Fabric Count
(epi x ppi)
(warp x filling)
Thread Count in sheets
(epi x ppi) add together
(100 x 100) = 200 thread count
Higher yarns per inch
-better quality
-strength
-weight
-better hand
-less distortion
-better abrasion resistance
Float
when one yarn does not interlace with the next adjacent yarn but passes over 2 more adjacent yarns
**increase luster
**snagging problem
3 Types of weaves
-plain
-twill
-satin
Plain weave
simplest and most used
-poor luster
-good snag resistance
-flat surface
-low tearing strength
-poor wrinkle resistance
-good abrasion resistance
**good for printing and embossing desgins
**made with only harnesses
Ex: of Plain Weave Fabrics
Chambray
Chiffon
Taffeta
Gingham
Twill Weave
-Fair luster
-Good snag resistance
-Twill lines on surface
-Medium Tearing Strength
-Fair wrinkle resistance
-Good Abrasion resistance
Satin Weave
-Good luster
-w/long floats poor snag res.
-smooth surface
- High tearing strength
- Good wrinkle resistance
- Excellent abr. resistance
Ribbed Plain Weave
-Filling yarns thicker than warp
(ex: bengaline)

poor abrasion resistance
Plain weave
simplest and most used
-poor luster
-good snag resistance
-flat surface
-low tearing strength
-poor wrinkle resistance
-good abrasion resistance
**good for printing and embossing desgins
**made with only harnesses
Ex: of Plain Weave Fabrics
Chambray
Chiffon
Taffeta
Gingham
Twill Weave
-Fair luster
-Good snag resistance
-Twill lines on surface
-Medium Tearing Strength
-Fair wrinkle resistance
-Good Abrasion resistance
Satin Weave
-Good luster
-w/long floats poor snag res.
-smooth surface
- High tearing strength
- Good wrinkle resistance
- Excellent abr. resistance
Ribbed Plain Weave
-Filling yarns thicker than warp
(ex: bengaline)

poor abrasion resistance
Basket Weave
groups of 2 or more warp yarns interlacing with groups of 2 or more filling yarns
(ex: monk's cloth) (2x2)
Right-hand twill
diagonals run up and to the right
Left-hande twill
diagonals run up and to the left
Ex. of Twill Weave fabrics
gabardine
chino
denim
Direction of twill on back of cloth
opposite to that on front
Most twills made with
6 or fewer harnesses
balanced twill
has warp and filling showing to the same extent on the face
Steep twill
a twill weave with a diagonal line greater than 45 degrees
reclined twill
a twill weave with a diagonal less than 45 degrees
twill lines made more prominent by:
- using plied yarns
- longer floats
- high yarns per inch
Broken Twill weave
combines right and left-handed twills
(ex: chevron, herringbone)
Satin Weave
has only one interlacing for each warp and filling yarn in each repeat of the weave
warp-faced satin
face is predominantly warp yarns
filling-face satin
filling yarns predominant on the face
There are NO
balanced satins
Satin weaves are designated by the # of
harnesses they require in weaving
(5 lowest possible and most common)
Sateen Fabric
durable cotton fabric usually with a filling-face satin weave
(used in military uniforms)
crepe-back satin
warp yarns fine with little or no twist, filling yarns highly twisted
Strongest Fabric Made with
long floats b/c fabrics are made with the greatest number of yarns per inch
Fewer interlacings mean
more yarns per inch
Leno Weave
Warp yarns form figure 8s twisted around filling yarns
**no slippage
**great firmness and strength
(ex: mosquito netting, packaging of fruits & vegs)
Used to make Chenille Yarns
Leno Weave
Woven pile-fabrics
material with raised hair-like or fur-like surface
-have extra set of yarns
(ex: velvet, terrycloth)
Warp-pile fabric
have extra set of warp yarns
Filling-pile fabrics
have extra set of filling yarns
**ALWAYS CUT
(ex: corduroy, velveteen)
When pile yarns are cut =
cut-pile weave fabric
(ex: velvet)
When pile yarns are NOT cut =
uncut-pile weave fabric
(ex: terrycloth)
Napped Fabric
fibrous surface producedby brushing fibers up during finishing process
double cloth
* very expensive
-2 fabrics held together by a separate set of pile yarns
2 types of double cloth pile weaving
V-Shape
W-Shape
V-Shape
interlaces with 1 yarn
-more dense
W-Shape
interlaces with 3 yarns
-more secure
Terrycloth
loops in fabric formed by having extra set of warp yarns raised by wire
-weaved on 2 warp beams
dobby pattern
design that contains simple geometric forms or motifs
-made on a loom with a dobby head(ex: lining, shirting, tuxes)
Jacquard Pattern
design that contains very detailed, intricate motifs
- loom with NO harnesses, uses jacquard head & heddles
(ex: labels, damask, tapestry)
Clip-spot pattern
extra yarns interlact in fabric to form simple design then float until yarns again interlace to repeat pattern
(ex: dotted swiss)
Color-and-weave effect
pattern produced in a fabric by using a certain weave and diff. colored yarns in both warp and filling
(ex: houndstooth)
Factors affecting cost of Woven Fabrics
- Fiber content
- Yarn type
- Construction