the piece is not extremely exaggerate or twisted, instead, it is constructed and made in such a simple form. Moreover, the “Skeleton Dress” was another representative works by Schiaparelli and Dali. This dress was presented in 1939 The black satin color shows the internal of human body or mind, and the convex surface of spine and ribs can suggest the contradiction between reality and conscious; and again, the piece was form in elegant lines. Simple but powerful. In Caroline Evans’s Masks, Mirrors and Mannequins: Elsa Schiaparelli and the Decentered Subject, Fashion Theory, she had described Schiaparelli, "In many of her garments there is no end to this play of surfaces, no “truth” beneath the “lie” of appearances. Masquerade does not imply that femininity is a lie so much as question its essential “truth.”
the piece is not extremely exaggerate or twisted, instead, it is constructed and made in such a simple form. Moreover, the “Skeleton Dress” was another representative works by Schiaparelli and Dali. This dress was presented in 1939 The black satin color shows the internal of human body or mind, and the convex surface of spine and ribs can suggest the contradiction between reality and conscious; and again, the piece was form in elegant lines. Simple but powerful. In Caroline Evans’s Masks, Mirrors and Mannequins: Elsa Schiaparelli and the Decentered Subject, Fashion Theory, she had described Schiaparelli, "In many of her garments there is no end to this play of surfaces, no “truth” beneath the “lie” of appearances. Masquerade does not imply that femininity is a lie so much as question its essential “truth.”