(Wyatt, 1-4). The first four stanzas depict love as a metaphor, that is, the speaker claims love is a warrior-like force that rests in his heart since love has a banner. However, if we dig deeper, the poem begins with an enjambment, in which the long stanzas come to a full stop due to a period at the end of the fourth line. In other words, because the poem begins with the words, “long love”, and continues on until the fourth stanza, the speaker creates an extended metaphor; the four long lines encompass the speaker’s “long love” since the stanzas themselves represent
(Wyatt, 1-4). The first four stanzas depict love as a metaphor, that is, the speaker claims love is a warrior-like force that rests in his heart since love has a banner. However, if we dig deeper, the poem begins with an enjambment, in which the long stanzas come to a full stop due to a period at the end of the fourth line. In other words, because the poem begins with the words, “long love”, and continues on until the fourth stanza, the speaker creates an extended metaphor; the four long lines encompass the speaker’s “long love” since the stanzas themselves represent