His literary status established him as an extraordinary writer; yet, William Faulkner personal life was self-doubting. Each of William Faulkner’s short stories: A Rose for Emily, Barn Burning, and Dry September reflects the author’s Southern roots, and the culture in which he lived his life. . His short stories are just that: stories. They are works of fiction inspired by his deeply-felt Southern heritage. There is nothing particularly “mythical” about them. Using the South as his inspiration and setting for his short stories; Faulkner has a way of interpreting that the past is never dead, but somehow continuous, and history is always just a block or two away. Although his works of fictions mainly deal with dark subjects, and a number of dreadful characters, he does give emphasis to hope. Since his death, Faulkner 's work has been broadly studied, and is now more fully respected. However, even his funeral was a scene praiseworthy of Faulkner’s pen. In truth, his 1942 novel Go Down, Moses ends with a amazingly similar funeral procession, as a hearse bears the body of another native son through the streets of a small north Mississippi town on a “bright scorching” July afternoon, passing before an interracial crowd of spectators “into the square, crossing it, circling the Confederate monument and the courthouse while the merchants and clerks and
His literary status established him as an extraordinary writer; yet, William Faulkner personal life was self-doubting. Each of William Faulkner’s short stories: A Rose for Emily, Barn Burning, and Dry September reflects the author’s Southern roots, and the culture in which he lived his life. . His short stories are just that: stories. They are works of fiction inspired by his deeply-felt Southern heritage. There is nothing particularly “mythical” about them. Using the South as his inspiration and setting for his short stories; Faulkner has a way of interpreting that the past is never dead, but somehow continuous, and history is always just a block or two away. Although his works of fictions mainly deal with dark subjects, and a number of dreadful characters, he does give emphasis to hope. Since his death, Faulkner 's work has been broadly studied, and is now more fully respected. However, even his funeral was a scene praiseworthy of Faulkner’s pen. In truth, his 1942 novel Go Down, Moses ends with a amazingly similar funeral procession, as a hearse bears the body of another native son through the streets of a small north Mississippi town on a “bright scorching” July afternoon, passing before an interracial crowd of spectators “into the square, crossing it, circling the Confederate monument and the courthouse while the merchants and clerks and