Even with coloured film already developed, Martin Scorsese decided that Raging Bull would be a film presented in black and white. Due to this decision, the dark rooms in the film came out to be darker and the bright rooms became brighter. More mood and drama was enhanced with no colour added to the film, for example, the scene where LaMotta had to throw the fight. During this scene, a shot of Sugar Ray is displayed with fog in the background and bright spotlights behind him. In the background, there are flashes of light representing cameras, creating a very dramatic scene. All the lights are focused on the two boxers, and although the cameras are not visible, it is quick to determine where they are because of the flashes of
Even with coloured film already developed, Martin Scorsese decided that Raging Bull would be a film presented in black and white. Due to this decision, the dark rooms in the film came out to be darker and the bright rooms became brighter. More mood and drama was enhanced with no colour added to the film, for example, the scene where LaMotta had to throw the fight. During this scene, a shot of Sugar Ray is displayed with fog in the background and bright spotlights behind him. In the background, there are flashes of light representing cameras, creating a very dramatic scene. All the lights are focused on the two boxers, and although the cameras are not visible, it is quick to determine where they are because of the flashes of