While he recognizes that the author’s minute details partially “strengthens our impression that the narrator is striving,” it is evident that Kaplan believes that they should not be the main focus of the novel. Steven Kaplan states that by destroying the line that separates fact from fiction, “fiction (or the imagined world) can often be truer.” Kaplan argues that the facts of an event are given but are quickly followed by an inquisition. From this uncertainty, a new set of facts come forth, which are then again brought back to questioning. Steven Kaplan concludes that storytelling in this book is something of which everything is rearranged in an attempt to get the “full truths” about events that “deny the possibility of arriving at something called the… fixed truth.” Steven Kaplan proposes a viable assertion since O’Brien’s The Things They Carried does in fact appear to be true. In the chapter titled “Ambush,” O’Brien describes the say he killed a man outside of My
While he recognizes that the author’s minute details partially “strengthens our impression that the narrator is striving,” it is evident that Kaplan believes that they should not be the main focus of the novel. Steven Kaplan states that by destroying the line that separates fact from fiction, “fiction (or the imagined world) can often be truer.” Kaplan argues that the facts of an event are given but are quickly followed by an inquisition. From this uncertainty, a new set of facts come forth, which are then again brought back to questioning. Steven Kaplan concludes that storytelling in this book is something of which everything is rearranged in an attempt to get the “full truths” about events that “deny the possibility of arriving at something called the… fixed truth.” Steven Kaplan proposes a viable assertion since O’Brien’s The Things They Carried does in fact appear to be true. In the chapter titled “Ambush,” O’Brien describes the say he killed a man outside of My