The purpose of the painting has a meaning to the artist herself with her experience. This is a surrealist painting. surrealism learns to transmit pain, seek to break the traditional. Her characteristics are the synthesis of expressionist techniques. Kahlo used well-defined outlines to shape the figures and textures; however, it does not change how we as the viewers perceive the colors that differentiate the two figures. The background is marked with neutral colors, contrasting the colors on the two subjects and creating a moody feeling. Kahlo creates an optical-illusion in which the picture plane is not flat, playing with the textures of their appeals and atmosphere by using shades. Moreover, the hearts are seen flat because her purpose was to create an illusion of a heart juxtaposed in Frida’s body as a decorative subject and to compare the meaning of her romantic relationship and the rest of her life. The artists use exterior scenes in the background, filled with grayish, unshaped clouds. Every detail is well-located so the viewer could learn about each detail’s meaning to the artist. Compositionally, Frida opted for the use of lineal perspective, centered at the canvas between the two figures strengthening the union of two different origins as one common
The purpose of the painting has a meaning to the artist herself with her experience. This is a surrealist painting. surrealism learns to transmit pain, seek to break the traditional. Her characteristics are the synthesis of expressionist techniques. Kahlo used well-defined outlines to shape the figures and textures; however, it does not change how we as the viewers perceive the colors that differentiate the two figures. The background is marked with neutral colors, contrasting the colors on the two subjects and creating a moody feeling. Kahlo creates an optical-illusion in which the picture plane is not flat, playing with the textures of their appeals and atmosphere by using shades. Moreover, the hearts are seen flat because her purpose was to create an illusion of a heart juxtaposed in Frida’s body as a decorative subject and to compare the meaning of her romantic relationship and the rest of her life. The artists use exterior scenes in the background, filled with grayish, unshaped clouds. Every detail is well-located so the viewer could learn about each detail’s meaning to the artist. Compositionally, Frida opted for the use of lineal perspective, centered at the canvas between the two figures strengthening the union of two different origins as one common