Artaud brought to light the importance of what he calls, “mise en scene.” Mise en scène focuses on the arrangement of scenery and visual theme in a play. He wanted a play to be produced through set design, costume design, lighting, spacing, composition and gestures. According to Artaud, “…a whole new language seems to have been invented: the actors with their costumes constitute a veritable living, moving hieroglyphs”(61). In others the costumes in a play have an import rule in theatre, they make the viewer pay more attention. Alfred Jarry grabs the views attention in Ubu Roi with Papa Ubu’s custom. Alfred Jarry was born in 1873 while attending school Jarry drew inspiration from one of his teachers and drew a picture of Papa Ubu. His drawing was that of a fat man in fluffy, white one-piece suit. The suit also a spiral circle in the middle. The actor’s face was painted to look like that of a clown. During the first performance the audience was shocked to discover the distorted costume of Papa Ubu but, years later the costume drew the attention of audience …show more content…
He feels as though masterpieces are made for the elite and they no longer correspond to what is occurring at the time. Alfred Roi and Antonin Artaud share the same belief because Alfred Roi used this concept in this play. Ubu Roi brought a new movement to the modern theatre called Dadaism. Dada is a form of artistic rebellion against social, political and cultural values of the time. Alfred Roi didn't follow in the footsteps of those before him instead, he responded to the social environment of that time through an unorthodox comical play. Soon, however, the unorthodox play became very popular. The play grew to become the first Absurdist play and