While Mathers intended to show his struggle to stay safe as a hard-working, young father, he perpetuated the glorification of violent behavior. In one scene of the music video, Mathers could be seen fighting a large group of men for no apparent reason. There was no evidence that this encounter was for self-defense or even to help a third party. This violent episode appears to have been a fight for approval or appreciation within the rap community. According to Ronald Weitzer and Charis Kubrin, authors of Misogyny in Rap Music, “Violence is one means of eliciting respect from others or punishing those who withhold it.” (Kubrin and Weitzer, 2003). Another example of this brutality can be found within the lyrics of the song. Mathers wrote, “No more games, I 'm a change what you call rage, tear this motherfucking roof off like two dogs caged.” (Mathers, 2002). This profanity laced lyric demonstrates the rage he was not only feeling but also acting on. Mathers is attempting to appear as a dedicated father, working diligently to pursue a career in order to stay out of trouble and support his family. In reality, he is yet another young musician using violence to attract attention and approval from peers to generate popularity and
While Mathers intended to show his struggle to stay safe as a hard-working, young father, he perpetuated the glorification of violent behavior. In one scene of the music video, Mathers could be seen fighting a large group of men for no apparent reason. There was no evidence that this encounter was for self-defense or even to help a third party. This violent episode appears to have been a fight for approval or appreciation within the rap community. According to Ronald Weitzer and Charis Kubrin, authors of Misogyny in Rap Music, “Violence is one means of eliciting respect from others or punishing those who withhold it.” (Kubrin and Weitzer, 2003). Another example of this brutality can be found within the lyrics of the song. Mathers wrote, “No more games, I 'm a change what you call rage, tear this motherfucking roof off like two dogs caged.” (Mathers, 2002). This profanity laced lyric demonstrates the rage he was not only feeling but also acting on. Mathers is attempting to appear as a dedicated father, working diligently to pursue a career in order to stay out of trouble and support his family. In reality, he is yet another young musician using violence to attract attention and approval from peers to generate popularity and