Kafka and O’Connor seem to make a particular point in relative suffering to want. The Hunger Artist does not desire food, instead he aches for recognition, for someone to understand his art. No one, not the children he terrifies with his starved frame, not the men who doubted
Kafka and O’Connor seem to make a particular point in relative suffering to want. The Hunger Artist does not desire food, instead he aches for recognition, for someone to understand his art. No one, not the children he terrifies with his starved frame, not the men who doubted