Frommer (2012) cites that it was during this era that Lucerne has managed to establish a balance between the established culture which existed at that time and is very attractive to conventional tourists who seek to engage in authentic traditional culture along with alternative culture which is more attuned by younger, hip tourists who seek adventure and a glimpse of something different. This consensus or balance that has been reached has inspired a new Swedish term that is called Kulturkompromiss – otherwise known as culture …show more content…
In fact, McKercher and Du Cros state that in many places, cultural heritage management and the torusim industry are often at odds with on another, and in fact, remarkably little dialogue occurs between the two even though they both share mutual interests in the ‘management, conservation and presentation of the culture and heritage assets’. Richards (2007) further supports this thesis by stating that places where there is a functioning culture heritage management and a booming tourist sector as can be in Lucerne, the two will tend to complement one another rather than choose to isolate the other and thus result in poor consumer experiences and diminish the value of cultural