By the end of the eighteenth century, the projection of the human mind became physically possible due to the development of science. The intellectual enlightenment, paralleled with the philosophical enlightenment, affected the design of theater architecture during the Reformation of playhouses. The distance between the stage and the audience started from the endeavor to set a frame for the spectators to appreciate the aesthetic choices of a dramatic piece as art, which now became the most popular framework in contemporary theater: the proscenium stage. Camp’s The First Frame explains that the deliberate visual articulation on stage represented the ideals of the philosophical, scientific, and artistic developments in that period and that this first frame created for French theater became the role model for modern theater architecture. Camp’s attempt to explicate the evolution of the French theatre stage is based on both qualitative and quantitative research on the historical, theoretical, cultural, and scientific background of a specific era, which could be effectively informative for young scholars or undergraduate/graduate students who want to explore the overview of the formation of French theatre in the Enlightenment
By the end of the eighteenth century, the projection of the human mind became physically possible due to the development of science. The intellectual enlightenment, paralleled with the philosophical enlightenment, affected the design of theater architecture during the Reformation of playhouses. The distance between the stage and the audience started from the endeavor to set a frame for the spectators to appreciate the aesthetic choices of a dramatic piece as art, which now became the most popular framework in contemporary theater: the proscenium stage. Camp’s The First Frame explains that the deliberate visual articulation on stage represented the ideals of the philosophical, scientific, and artistic developments in that period and that this first frame created for French theater became the role model for modern theater architecture. Camp’s attempt to explicate the evolution of the French theatre stage is based on both qualitative and quantitative research on the historical, theoretical, cultural, and scientific background of a specific era, which could be effectively informative for young scholars or undergraduate/graduate students who want to explore the overview of the formation of French theatre in the Enlightenment