The use of music for example, is relatively sparse and unobtrusive. Tarkovsky instead fills the soundscape of the film with atmospheric reflections of the setting. The sounds of the breeze, or the rain, or a rushing river are presented, sometimes in the background, sometimes so loud that it obscures dialogue. In the absence of these sounds, often nothing is added, letting the viewer linger with the peaceful silence of a place now almost absent of humanity. Without human white noise, the viewer is sonically presented with the reality that nature has reclaimed this place. When man-made sound is introduced, it is often used to a disquieting effect. There is scene where the Writer must travel along an abandoned tunnel. As this scene progresses, the sounds of the rain and running water give way to mechanical twangs and the voices of the characters, distorted by the acoustics of the tunnel. The effect here is that the introduction of these sounds are disquieting, indicative that something is amiss. This association can be found all throughout the film. Much of the music of the film contains the use of a synthesizer, and the artificial quality of this element upon the sound of the film
The use of music for example, is relatively sparse and unobtrusive. Tarkovsky instead fills the soundscape of the film with atmospheric reflections of the setting. The sounds of the breeze, or the rain, or a rushing river are presented, sometimes in the background, sometimes so loud that it obscures dialogue. In the absence of these sounds, often nothing is added, letting the viewer linger with the peaceful silence of a place now almost absent of humanity. Without human white noise, the viewer is sonically presented with the reality that nature has reclaimed this place. When man-made sound is introduced, it is often used to a disquieting effect. There is scene where the Writer must travel along an abandoned tunnel. As this scene progresses, the sounds of the rain and running water give way to mechanical twangs and the voices of the characters, distorted by the acoustics of the tunnel. The effect here is that the introduction of these sounds are disquieting, indicative that something is amiss. This association can be found all throughout the film. Much of the music of the film contains the use of a synthesizer, and the artificial quality of this element upon the sound of the film