Film Analysis Of Okuribito Departures?

Improved Essays
Assessment Task 1: Film Analysis on Okuribito (Departures)
Yojiro Takita’s Departures is an Oscar winning film that challenges the traditional Japanese ideology of death and other socio-cultural implications of the people who survive them. As death is one of the main metaphors and recurring theme of the film, understanding it in context to Japanese culture is paramount to this analysis. Multiple times throughout the film Daigo runs into social prejudice upon other characters learning of his job as an encoffiner; this includes his wife who openly called him filthy/unclean. Okuyama tells of an “ancient myth about death as a source of impurity – a concept that is deeply ingrained in the Japanese psyche” (2013, p11). The use of cinematic devices
…show more content…
The film score was developed by Joe Hisaishi and is s compelling contrast to the pure diegetic silence, ambient sound, and object sound effects. “Music acts roughly like a linguistic modifier, helping to clarify the particular mood, character, or emotive significance of a scene or visual action” (Fiscoff 2005, p24). This unification between the different sound elements can be heard during Daigo’s first encounter with a decomposing body. Noting that “the sound track can clarify image events, contradict them, or render them ambiguous” (Bordwell and Thompson, 1985, p184); the scene starts with the sound of flies and the sight of maggots eating decomposing food, the atmospheric and diegetic sound make a discomforting audio landscape. However, since it is contrasted by the score “First Contact”, the scenes tone would shift to one that is jovial and humorous despite the visual representation of disgust. Individually, the score plays a large part in the overarching themes of the film. This is highlighted in the audio track where there are 3 versions of the score named Okuribito: “On Record”, “Memory”, and “Ending” respectively. Each suggesting “the prevailing mood of a scene, and prompt of an appropriate emotional response from spectators.” (Fiscoff 2005, …show more content…
When no score is present, other diegetic sounds add to the overall audio-visual environment of the film. The usage of the alternate versions of Okuribito at different points of the film coincide with research by Boltz, Shulkind, and Kantra, (1991, pp593-606) stating background music has a profound effect on retention of filmed events. This is further solidified by “opening credit and end title music…as recurring musical themes that come to represent characters or situations within the film” (Libscomb & Tilchinsky, 2005, p10). With such complex usage of sound and music, the film is able to foreground its dialogue and visual aesthetic without saturating the scene with too much music, instead opting for ambient sounds while only allowing the score to play when attempting to elicit and emotional response. The control of sound was a main theme that most likely earned the film an

Related Documents

  • Improved Essays

    Film music is used to accompany the story line of a film and helps to create the world of the film in a sonic sense that will affect the viewer subconsciously. It is a defining element in the ambience of a film’s atmosphere, capable of turning a situation from sedentary to tense in a single chord change. It provides a sonic narrative of the plot development, normally moving to different themes and suites for different scenes. People can hear a melody or a movement from their favourite film and immediately be taken back to the palpable emotions conveyed in the exact scene by the culmination of music and action. Often the use of a reprise can remind the viewer of action that took place earlier when the same music was played.…

    • 912 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Accordingly, this source provides useful insight into the purpose that dictate the stylistic measures of music that is apparent within the arena of film studies. Therefore, the source ranks towards the primary resources in regard to the usefulness and reliability of the information presented. Jeff Smith elaborates upon Gorbman 's references to the degietic and non diegetic modes of production within his article, Bridging the Gap: Reconsidering the Border between Diegetic and Nondiegetic Music. The prime focus of the article is to outline the modes of music production for diegetic and non-diegetic music in films. The intended market for this resource is film students that require an in-depth analysis of the mechanics of diegetic and non-diegetic music.…

    • 1645 Words
    • 7 Pages
    Superior Essays
  • Improved Essays

    In this storytelling ‘Shadow of a Doubt,’ the principles of narrative telling are depicted. From the plot, the movie is constructed in a story perspective that heightens a pattern from the opening scenes to the closing of the picture. Nevertheless, the utilization of salient techniques often dictates the flow of the story. From the distinct movie lighting, the soundtrack and its creaking sound make it a compelling narrative for the audience. At the cusp of the movie era, black and white screening making a perfect visual and audio ensemble had great respect.…

    • 945 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Almodovar Film Analysis

    • 1011 Words
    • 5 Pages

    These not only embody the emotion of anxiety and fear within the scene, but also allows the audience to experience both the American and Spanish features of the film. Yet, the absence of these non-diegetic sounds are also frequently used in various scenes as a means to deliver a message through the emphasis on diegetic sounds and other elements within the mise en scene. This is signified by scenes in which the conversations between characters are essential for plot and character development which, in turn, further strengthens the bond between the viewer and the film itself. In a later scene where Raimunda is involved in an epiphanic conversation with her mother about her true story, the sound only consists of urban noises and speech. Consequently, this creates a sense of realism with the audience, allowing the viewers to empathise with the protagonist and the themes of passion, strength and independence that she…

    • 1011 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    I Love Song Analysis

    • 1301 Words
    • 6 Pages

    The many relationships that are portrayed concurrently and the impacts they have on one another is handily expressed cinematically; It would be cumbersome, if not impossible, to express this melodically or lyrically. Without watching the music video for “Islands” the song seems superficial, only once cinematically experiencing “Islands” does one understand the complexity, emotion, and uncertainty that the song intends to…

    • 1301 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Entr’Acte is an early avant-garde film produced by Erik Satie and Rene Clair. In this film, two artists integrated repetitive moving image with one melody, which kept coming back, and they diffused their attitude of life into the entire production. Absurdity and repetition play extremely important roles in Entr’Acte, that both of the characteristics not only reconcile one foundational structure of the film, but also create hierarchical variations in either visual aspect or auditory aspect. Repetition in Entr’Acte builds up the fundamental structure rather than confuse the audience. Some scenes are repetitive like the overlapping architecture, ballet dancing, roller coaster.…

    • 464 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Zooming helps show characters emotions. Lastly the music helps create mood. Through these three technics, Burton is able to show the audience dark, but still funny or childlike, stories. This is what makes his such an amazing and unique…

    • 445 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Explain how those quotations create the author's tone you hear as you read the critique. In his revisal, Deming elucidate how the picture show Psycho differentiates from other movies while intercept a specific exhibition he conception was immensely done; He came his notion of how suspenseful movies are imagine to be. Specific condition Deming uses throughout his resurvey were: " gratifying", " conflict", "noticeable", " excitement", " alarm", " indecision", and " apar." When using these terms, the Critic shows that he enjoyed the dissimilar techniques the producer usage in the film. There were no hurtful observe that the critical made while scriptory this retrace.…

    • 785 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Harry Potter and the Prisoner of Azkaban uses principles of sound, cinematography and elements of Mis En Scene to immerse the audience in the dark and mysterious wizarding world. Sound is a powerful film technique, especially one such as Harry Potter and the Prisoner of Azkaban, where sound and sound effects help to shape the understanding of the wizarding world (Bordwell and Thompson, 267). Generally, there are two different types of sound, diegetic and non-diegetic. According to Film Art : An Introduction, diegetic sound is any voice, musical passage, or sound effect presented as originating from a source within the film’s world, non-diegetic sound, is sounds such as mood music or a narrator’s commentary, represented as coming from…

    • 851 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Cinematic Techniques Tim Burton uses cinematic techniques to portray feelings of joy, excitement, sadness etc.Some of the cinematic techniques that Tim Burton uses is music/sound,lighting,and flashbacks. The proper use of cinematic techniques can manipulate a viewers emotions and hook them to the characters and the story. However when you use cinematic techniques incorrectly the movie can be confusing and not so good. Cinematic techniques can either make or break a movie. One cinematic technique that Tim Burton uses in his films is sound/music.…

    • 751 Words
    • 4 Pages
    Improved Essays