Kathryn Kalinak also argued that the use of music that has already been released in the past, for example Beyonce and Andre 3000's updated version of Amy Winehouse's classic 'Back to Black' may, 'trail with them personal histories and trigger memories, experiences and emotions, which may be at odds with [a] film's dramatic needs' (2010: 87), e.g. the viewer thinks of the late Amy Winehouse's death rather than concentrates on the film. This being said could be a possibility, although this opinion is completely disregarded by literary critic T. Austin Graham, whom describes the modern soundtrack as, 'a pop cultural vortex': 'This is the Jazz Age in a remix and mash-up culture' (Graham et al., 2013: n.p.), ultimately agreeing with Yang's previous
