Kevin Alves Instructor Kathleen Perry Photography 50B 16 May 2016 Diane Arbus and the Unusual Subjects In today’s world where selfies and sexting are common the work of Diane Arbus may seem tame. But in 1967 when the New Documents Exhibit at the Museum of Modern Art featured the work Arbus, along with that of Garry Winogrand and Lee Friedlander, as an alternative to traditional documentary photography it was shocking. Although her intimate portraits of those outside the mainstream made some people uncomfortable, some of her photos in the New Documents exhibit became some of her most defining in her short career and forever changed photography.…
The observer doesn’t normally understand how he is observing things along with the many different ways the observer is experiencing the situation. Yet, although every image embodies a way of seeing, (10) our perception or appreciation of an image also coincides with our beliefs and experience’s as well. This perception creates an image that is molded in our minds of what we see. Krakauer through Chris photos and tracking his footsteps was trying to see what was going through Christopher mind and get a sense of why someone would put themselves in such…
“Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself” Berenice…
People have access to capturing special moments according to their preferences. However, not all the pictures can be listed under the artistic photography. Instead of taking images, photographers do make images, showing people light and shadow, color and outline, as well as personal contemplation and imagination. In addition, the process of turning negatives into photographic papers requires some technical supports to polish those images, such as the dye transfer and darkroom techniques. Telling its own story, photography describes the subject itself, then conveys the personal visual experience, and above all it can create the imagination and arouse resonance with audiences, finally moving it into fine…
To those who are open to it and who seek out the company of ghosts, it is always thrilling to record evidence of a haunting on film. This euphoric feeling is multiplied when the site in which this evidence is captured is as lovely and haunted as St. Albans Sanatorium. It was during a photo session on November 1, 2014 for which Pat Bussard O’Keefe was shooting for After Dark Magazine, that two of the Ghost Writers’ team members recorded a most unusual anomaly. Pat and Ken O’Keefe photographed a mist forming from a nondescript shape into a very distinct humanoid-looking head.…
Abelardo used his photography to express his hardships and feelings of isolation as a foreigner in the United States. He also fancied the topic of Surrealism in Photography because it suited his feelings of being a stranger in a new country. Abelardo Morell is a renowned Cuban-born photographer in the field of Contemporary photography, known for his invention working methods, including the use of a Camera Obscura that represented by Edwynn Houk Gallery in New York City. He took the Camera Obscura out of the past and bring it toward the future. The paper will explore Abelardo Morell’s life, photographic career, and discusses how the Camera falls into his career.…
Since the creation of photography it has been used for many different aspects. In a more intellectual manner photography has been used to document, record, and to help educate. While on the more innovative side of photography it has been used to express, to enlighten, and to defy logic and reason. Photography can be both intellectual and innovative concurrently. Throughout history the use of photography can be seen for both purposes.…
The movement of photography has been constantly growing and expanding throughout the centuries. With the increase in popularity for this new media came various expansions and technological advancements. Photography led to advancements in the camera as well as advancements in the methodology of taking a photograph. These advancements did not happen suddenly; the technology and advancements in photography we have today is the product of many centuries of work through a collective effort from many different intellectuals, artists and photographers.…
Throughout his adventures and daily life Austerlitz documents his experiences by way of photography in his efforts to preserve his present for the future as well. When walking through an old abandoned town, Austerlitz encountered the artifacts left behind from World War Two victims in a store and noted how “They were all timeless as that moment of rescue, perpetuated but forever just occurring” (197). In this abandoned shop, Austerlitz experienced the ongoing life of physical artifacts that brings the past to the present and allows stories to live on. Just as these artifacts live on with a sort of immortality and continue to live in the present, Austerlitz makes his experiences act in the same way by capturing them in images. He explains, “I liked to study the black and white photographs which, one day, would be all that was left of his life” (293).…
The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his camera.”…
Simply viewing an image leaves the impression of someone who is consistent in their works. In Freeman Patterson’s “Barriers to Seeing,” he justifies how “we rule out visual exploration, and seldom discover the myriad facets of each object” (27). His perspective in photography envisions the forthcoming of labeling in sensory experiences. There is a pattern where photographers establish and rediscover environmental cues that remains fixated in their works. “Instead of seeing everything, we select a few stimuli and organize these” (Patterson 27).…
In his book, Berger states: “[…] unlike memory, photographs do not in themselves preserve meaning. They offer appearances—with all the credibility and gravity we normally lend to appearances—prized away from their meaning” (48). This is important because it shows the distinct discontinuity between a photo, and someone who is viewing it. For example, an outsider viewing my photo may take in the smile on the woman’s face, the food on the table, and the outdoor setting, and simply think that she is out for a nice dinner on the town. However, as the storyteller, I know that the actual narrative tells much more.…
This form of photography causes each individual viewer to experience a different outcome with the images, in which every person creates a different scene, which can be a perception almost of their own lives being replicated onto the image from what is left to look…
It is evident that photography has a negative impact of one’s experiences and representations of the world because it causes people miss out on the true experiences of life and often times photography is used only to better ones…
How a photo can create emotional reactions identical to the reactions when a sad music is playing or a dramatical piece of theater is watched? In the famous photo “the kid and the vulture”, Kevin Carter knew how to evoke the DUALITY between the human kind and nature in a reversal reflection comparing what we are living in relation with nature. This relation in this photo is shocking because humans these days are mobilizing the nature for their benefit, The age of nature supremacy is ended, we live in an era when humans can exploit everything. Taken In 1993, the photographer insisted and focused to show the evidence of the inequality and the duality by the eyes of a human who is a slave to the nature, he’s inferior to it, his life is…