Since, the grating sound the narrator encounters on her journey and once she reaches the end of the lane, contribute to the perpetuation of distress on the narrator as well as evoking uncertainty for not succeeding in arriving at the sea. For instance, in the second stanza, the narrator mentions "the choughs in black, cacophonous flocks," providing an ominous impression (10). The crows break the silence that surrounds the narrator, only to implement dissonant sounds. Crows and the color black possesses a negative connotation- normally death. Thus, the sound the crows produce create a petrifying feeling for the narrator. Seeing that the narrator relinquishes hope in arriving at the sea. Similarly, in the third stanza the narrator states "a din like silversmiths beating and beating at an intractable metal" (27). Since, the narrator compares a silversmith hammering an intractable metal it further emphasizes the continuation and prolonging of the din. The repetition of the word beating, which also insinuates a negative connotation, continues to express the narrator's inability to escape the din, ending the poem. Thus, the sound the crows and din generate promotes a sense of anguish in the narrator; the insufferable sound promotes
Since, the grating sound the narrator encounters on her journey and once she reaches the end of the lane, contribute to the perpetuation of distress on the narrator as well as evoking uncertainty for not succeeding in arriving at the sea. For instance, in the second stanza, the narrator mentions "the choughs in black, cacophonous flocks," providing an ominous impression (10). The crows break the silence that surrounds the narrator, only to implement dissonant sounds. Crows and the color black possesses a negative connotation- normally death. Thus, the sound the crows produce create a petrifying feeling for the narrator. Seeing that the narrator relinquishes hope in arriving at the sea. Similarly, in the third stanza the narrator states "a din like silversmiths beating and beating at an intractable metal" (27). Since, the narrator compares a silversmith hammering an intractable metal it further emphasizes the continuation and prolonging of the din. The repetition of the word beating, which also insinuates a negative connotation, continues to express the narrator's inability to escape the din, ending the poem. Thus, the sound the crows and din generate promotes a sense of anguish in the narrator; the insufferable sound promotes