San Antonio Sekhmet Analysis

Improved Essays
Located in the west wing of the San Antonio Museum of Art, standing at 6 feet tall, is the statue of Egyptian goddess, Sekhmet. The statue, which is made from granodiorite dates back to the 18th dynasty (New Kingdom) circa 1390-1352 BC during the reign of Amenhotep lll (Art, San Antonio Museum of. "San Antonio Museum of Art - Sekhmet." San Antonio Museum of Art - Sekhmet. N.p., n.d. Web. 13 Oct. 2016). Many seated statues of Sekhmet were made for Amenhotep III’s funerary complex near Thebes. They were later moved to the temple of the goddess Mut at Karnak, where this statue was most likely found (Sekhmet. 1390 - 1352 BC. SAMA, San Antonio, TX.).

Using the subtractive sculpting technique and created in a 3D seated position, the statue stands at 71 in. in height, 21 in. in width, and a diameter of 40 in (Art, San Antonio Museum of. "San Antonio Museum of Art - Sekhmet." San Antonio Museum of Art - Sekhmet. N.p., n.d. Web. 13 Oct. 2016). This piece includes hieroglyphic inscriptions on either sides of her legs giving Amenhotep III’s name and titles, describing him as “beloved of Sekhmet.” (Sekhmet. 1390 - 1352 BC. San Antonio Museum of Art, San
…show more content…
For example, sometimes they were used to bring healing properties to a sick pharaoh or were used to smite the enemies of Egypt. The artistic choices used to determine the meaning behind a statue of Sekhmet can be observed by a few differences. Whether a statue was made to be standing or in a seated position is one observance that can tell us what the intentions were. Another would be the hieroglyphics depicted on the statue. Some would offer a blessing and others a curse. No matter the specific intention behind the design of the statue, the one common factor remains that the statue of Sekhmet was always designed to protect a god or pharaoh, whether it be from illness or

Related Documents

  • Improved Essays

    In the cycles of the art world, artistic styles progress over time and new innovative techniques embody an era, but the past periods never truly fade from the mind of the artist, hence periods like the Renaissance, a rebirth of an older era of art. However this retrospective obsession with art can meddle up an art history timeline if a statue is not properly dated to the correct era. This is case the regarding the Piombino Apollo, a statue found at sea in 1832 with a complex history of study where it eventually made its way to the Louvre Museum in Paris, France. The statue looks extremely archaic, like a kouros, but some more advanced stylistic evidence on the statue contradict the earlier claim regarding an archaic date and places it in a later Hellenistic one.…

    • 838 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    Hatshepsut Research Paper

    • 202 Words
    • 1 Pages

    Hatshepsut, the most successful of several female rulers of ancient Egypt, declared herself king sometime between years 2 and 7 of the reign of her stepson and nephew, Thutmose III. She adopted the full titulary of a pharaoh, including the throne name Maatkare, which is the name most frequently found on her monuments. Her throne name and her personal name, Hatshepsut, are both written in cartouches making them easy to recognize. This life-size statue shows Hatshepsut in the ceremonial attire of an Egyptian pharaoh, traditionally a man's role. In spite of the masculine dress, the statue has a distinctly feminine air, unlike most representations of Hatshepsut as ruler (see, for example, three granite kneeling statues in the Museum's collection,…

    • 202 Words
    • 1 Pages
    Decent Essays
  • Superior Essays

    One of the most famous unknown figures, as well as one of the most strikingly accurate sculptures of Ancient Egyptian artwork is known as the Seated Scribe; though its name is a more generic term, as it is unknown officially what this statue is called. There are many unknown mysteries behind this exquisite piece. Yet it 's overall detail, color, and lifelike quality attracts many, not only to admire its fine detail, but to research the history behind the sculpture. The Seated Scribe, also sometimes called the "Squatting Scribe," is an ancient Egyptian structure discovered in Saqqara, displaying a seated figure at work, and is overall a very detailed sculpture admired by many.…

    • 1200 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    This week we learned about the chapter, Egypt Under the Pharaohs in the Old, Middle, and New Kingdom. I will be cornering in on the art of the Palate of King Narmer, the Fragmentary head of Senuret III, and Akhenaton, Nefertiti, and three daughters. I will also be discussing “Egypt’s Golden Empire: The Warrior Pharaohs”. In the Old Kingdom, the front and back carvings on the Palette of King Narmer were of big focus.…

    • 398 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The sculpture Triad of King Mycerinus and Two Goddesses, which resides at the Boston Museum of Fine Arts, was excavated from The Temple of Mycerinus in Giza and was created between 2548 - 2530 BCE, during the reign of Mycerinus. Made from greywacke, an incredibly coarse, dark sandstone, this sculpture uses variation in texture, incorrect scale, and line to draw attention to King Mycerinus in relation to the two divinities, and thus is an example of royalty as divinity. Overall, this sculpture depicts the goddess of the Hare Nome, the goddess Hathor, and the King Mycerinus (in that order from left to right), all carved from a single block of greywacke. Additionally, this is an example of a high relief sculpture, meaning that the sculpture is…

    • 1154 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The Seated Scribe Statue

    • 200 Words
    • 1 Pages

    Sculpted between 2700 and 2200 BC, the Seated Scribe is one of the most famous unknown figures from ancient Egypt. It was found in the Saqqara necropolis. The statue is interesting as the scribe is in the writing pose as opposed to the reading pose, which was common in later Egyptian statuary. It is possible the statue may have served as a Ka statue for some significant individual. Unfortunately, nothing else is known about the statue or who it portrays because the excavation site was ransacked and further information about the figure could not be gathered.…

    • 200 Words
    • 1 Pages
    Improved Essays
  • Decent Essays

    It features a man and women standing, with the man's arm around the women. It was carved in limestone and then painted a tan color. The man is wearing a waist cloth and the women is wearing a full tunic stopping at her shins. The statue was built for a tomb chapel, and the Egyptians thought that the spirits of those who passed away could inhabit the statue, and eat the food that was donated to the chapel. The inscription denotes "The Royal Acquaintances of Memi and Sabu".…

    • 348 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    Some women, mostly but not excluding Greek goddess and heroines, were shown great power and were viewed as being beautiful. The women who were scene as very powerful or were worshiped for such influences mostly consisted of the Greek goddess’s and heroines from Greek mythology. This did not exclude outside women who lived during that time for some of them also possessed greater power then women of past generations. Greek goddess’s and heroines were often praised, not only for the power they possessed, but also widely for their menace and stunning beauty. It was very uncommon for a women to ever be considered beautiful or rather for it to be expressed.…

    • 1353 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    This art study will provide a visual and iconographic analysis of “The Palette of Narmer” in the context of the Egyptian stonework from the 31st century B.C. “The Palette of Narmer” (circa 31st Century B.C.) is a carved stone object typically meant for grinding cosmetic powders (to adorn statutes of the gods), but this object was used as a formal ritual object in a temple. This palette was found at the Main Deposit of Egyptian antiquities in Nekhen, which presents one of the earliest known examples of Egyptian hieroglyphics ever found at an excavation site. The iconography of this piece expresses the traditional symbolism of government order in ancient Egypt through the unification of Upper and Lower Egypt under King Narmer.…

    • 1220 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The Royal Acquaintances Memi and Sabu is a painted limestone sculpture most probably from Giza in Egypt. It dates with some certainty from the period 2575 – 2465 B.C. [1] The statue depicts a man and woman in embrace, indicating a relationship, most likely as husband and wife. This type statue was used in burial tombs. The sculpture was thought to provide a vessel through which the dead could benefit from food and offerings brought to the chamber.…

    • 634 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Head of an Akkadian Ruler Vs. Funerary Mask of ‘Agamemnon’ Comparing two sculptures can be overwhelming. The two pieces of artworks I have chosen are both heads of former rulers, each of them coming from a different empire. Nobody knows who made each of these artworks. The first sculpture for comparison is the head of an Akkadian ruler also known as the “Head of Sargon the Great”().…

    • 1051 Words
    • 5 Pages
    Improved Essays
  • Decent Essays

    Egypt Art Analysis

    • 155 Words
    • 1 Pages

    Egypt art include multiples pieces. Among those pieces, the statuette of queen ankhnes-meryre II and her son Peppy II is a remarkable sculpture. It is exposed at the Brooklyn museum, and it is piece from Egyptians old kingdom art. The statuette represents the queen ankhnes-meryre II sitting and holding her son, the baby king, who is sitting on her tights and facing sideway from his mother. The statuette symbolizes the affection that the queen has for her son.…

    • 155 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    Sphinx Of Giza

    • 450 Words
    • 2 Pages

    The oldest statue in the world, it remains unclear during which ancient Egyptian king’s region the Sphinx of Giza was built in. Some suspect it was build during the rule of the Pharaoh Khafra because the human face of the sphinx looks similar to his own. However, it is difficult to tell because the statute has suffered from damage over the years and the nose and beard of the Sphinx have broken off. The 241 ft long and 66.34 ft tall statue overlooks the west bank of the Nile River where it lies near, sharing the borders of El Giza with the Great Pyramids.…

    • 450 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    1. The title of this sculpture is The Goddess Coatlicue. She stands at eight feet, six inches, and is located in the Museo Nacional de Antropologia in Mexico City. An Aztec sculptor created her out of an igneous rock called basalt. This black or gray colored rock is fine-grained and forms from lava as small amounts shoot out of volanoes and cool quickly.…

    • 1049 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    I will compare and contrast the Sphinx of Hatshepsut with Haremhab as a scribe of the King. The Sphinx of Hatshepsut is particularly interesting to me for the fact that she was a women pharaoh in Egypt in a time where men and women were not considered equal. Hatshepsut means “The Foremost of noble ladies.” She reigned from 1508–1458 BC and was the fifth pharaoh of the eighteenth dynasty of Egypt. Hatshepsut came to the throne of Egypt in 1478 BC.…

    • 1019 Words
    • 5 Pages
    Improved Essays