Niki de Saint-Phalle did not necessarily have the motivation to treat the question of dualism more in depth than she did in the Nanas series, and this can only be perceived through a biographical approach to the artist and her work. Moreover, looking at the artist's personal life can uncover other interesting aspects of their work. In the case of Niki de Saint-Phalle, we can observe what Catherine Dossin called "the masquerade of hyperfemininity". Saint-Phalle's personal choices of self-representation can provide an explanation for the exaggerated feminine form of the Nanas. Her decision to dress and act as a femme fatale in the media, using traditional dress codes imposed by men on women as a costume, is a revendication of her own ability to master her body and use these codes to liberate herself. The masquerade of hyperfemininity nuances some of the limitations we have found to Saint-Phalle's feminist discourse, such as the essentialist stance of her work. Niki de Saint-Phalle's Nanas enable women to reclaim traditional patriarchal codes to make them their own. This, however, cannot be perceived if the personal life and choices of the artist are not studied
Niki de Saint-Phalle did not necessarily have the motivation to treat the question of dualism more in depth than she did in the Nanas series, and this can only be perceived through a biographical approach to the artist and her work. Moreover, looking at the artist's personal life can uncover other interesting aspects of their work. In the case of Niki de Saint-Phalle, we can observe what Catherine Dossin called "the masquerade of hyperfemininity". Saint-Phalle's personal choices of self-representation can provide an explanation for the exaggerated feminine form of the Nanas. Her decision to dress and act as a femme fatale in the media, using traditional dress codes imposed by men on women as a costume, is a revendication of her own ability to master her body and use these codes to liberate herself. The masquerade of hyperfemininity nuances some of the limitations we have found to Saint-Phalle's feminist discourse, such as the essentialist stance of her work. Niki de Saint-Phalle's Nanas enable women to reclaim traditional patriarchal codes to make them their own. This, however, cannot be perceived if the personal life and choices of the artist are not studied