Frank Pool and three other crew members are being transported to the site of the Monolith. If you were to critically analyse the song both in terms of composition as well as the overall message that the music delivers, the audience would describe the song to being similar to “Atmospheres”. The music encompasses an eerie feel from using the high pitched sounds ringing in the audiences ears which raises the suspense because we are unsure what the Monolith will do to the humans. This raises contrast to the film’s opening during the, “Dawn of Man”, when the apes touch the Monolith for the first time. At this point the audience are feeling “creeped out” because of this and are unsure if the Monolith will influence the bad side in the humans much like it did with the apes . At this point the audience will have ideas of what might happen if the humans touch the Monolith. This is where the music succeeds, as (Darrius, P, 2001) claims that the music succeeds admirably; this is more a compliment to the composer than to Kubrick, yet it took the director’s visionary powers to fuse it with the image
Frank Pool and three other crew members are being transported to the site of the Monolith. If you were to critically analyse the song both in terms of composition as well as the overall message that the music delivers, the audience would describe the song to being similar to “Atmospheres”. The music encompasses an eerie feel from using the high pitched sounds ringing in the audiences ears which raises the suspense because we are unsure what the Monolith will do to the humans. This raises contrast to the film’s opening during the, “Dawn of Man”, when the apes touch the Monolith for the first time. At this point the audience are feeling “creeped out” because of this and are unsure if the Monolith will influence the bad side in the humans much like it did with the apes . At this point the audience will have ideas of what might happen if the humans touch the Monolith. This is where the music succeeds, as (Darrius, P, 2001) claims that the music succeeds admirably; this is more a compliment to the composer than to Kubrick, yet it took the director’s visionary powers to fuse it with the image