Julio Hernandez Cordon 's Film, Del Infierno And Polvo Essay

1317 Words Dec 10th, 2016 6 Pages
Julio Hernández Cordón’s films Marimbas Del Infierno and Polvo reflect the neoliberal period in Guatemala by illustrating how the profound digressions from the period of nationalism affected everyday life. During the nationalist era of the early to mid 20th, Guatemala gained a strong sense of national identity All things traditional and national became popular. The onset of the neoliberal period, however, would drastically change many of these consistencies. The effects of these changes are clearly illustrated in Marimbas Del Infienro and Polvo. Individuals were burdened with profound ambiguities as they lost a sense of belonging and function in society. Guatemala gained a clear sense of national identity during the period of nationalism. At their core, nationalists believed that every citizen of their country belonged.. In addition, there was no longer any desire to remain in close relation with the US and/or other European super powers. World War I showed Latin American countries that they weren’t as inferior to the rest of the world as many thought, and people became proud of where they were from. There was great pride to be generated from a dependent country and that was not reliant on other dominant countries. In Guatemala, the marimba symbolized this growing sense of national identity and pride. Throughout the early 1900s, it slowly became the instrument of the state as it was showcased during many official state functions. The National Police and each of…

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