Josquin Des Prez was also influenced by his mentor and teacher, Johannes Ockeghem, a member of the Franco-Flemish school of music in the Netherlands. This influence is evident in Josquin des Prez’s “Ave María” though it’s Franco-Flemish polyphonic style (Dobson). Overall, the pious Italian society in the 15th century and his previous occupations influenced Josquin des Prez to compose a devotional piece to a figure of the Catholicism Virgin Mary. This piece by des Prez presents itself with a very celebratory and serene tone. ”Ave María” embodies these tones through its subject matter, the praise and glorification of the Virgin Mary, and the chordal harmony found throughout the entirety of the piece. Josquin des Prez also avoids dissonance throughout the whole of the piece in order to achieve a mood of serenity and religious devotion
Josquin Des Prez was also influenced by his mentor and teacher, Johannes Ockeghem, a member of the Franco-Flemish school of music in the Netherlands. This influence is evident in Josquin des Prez’s “Ave María” though it’s Franco-Flemish polyphonic style (Dobson). Overall, the pious Italian society in the 15th century and his previous occupations influenced Josquin des Prez to compose a devotional piece to a figure of the Catholicism Virgin Mary. This piece by des Prez presents itself with a very celebratory and serene tone. ”Ave María” embodies these tones through its subject matter, the praise and glorification of the Virgin Mary, and the chordal harmony found throughout the entirety of the piece. Josquin des Prez also avoids dissonance throughout the whole of the piece in order to achieve a mood of serenity and religious devotion