Manet began to then leave his brush strokes visible as opposed to blending them, as seen in Luncheon on the Grass and Music in the Tuileries. Luncheon on the Grass was the beginning of Manet showing his brush strokes, the strokes are visible in the fruit he painted near the front, as well as the background. Music in the Tuileries is more expressive, the trees are stylized and less realistic, while Manet paints a variety of people they are not depicted using the classical Greek canon of the figure that was taught in the
Manet began to then leave his brush strokes visible as opposed to blending them, as seen in Luncheon on the Grass and Music in the Tuileries. Luncheon on the Grass was the beginning of Manet showing his brush strokes, the strokes are visible in the fruit he painted near the front, as well as the background. Music in the Tuileries is more expressive, the trees are stylized and less realistic, while Manet paints a variety of people they are not depicted using the classical Greek canon of the figure that was taught in the