Franz Joseph Haydn: Father Of Classical Music

Superior Essays
Franz Joseph Haydn is widely known as one of the creators of classical music, as well as being dubbed the “Father of the Symphony” and “Father of the String Quartet. He is also one of the greatest and most celebrated composers of all time. Haydn once remarked, “Young people can learn from my example that something can come from nothing. What I have become is the result of my hard efforts.” And it was the truth. Haydn came from humbler beginnings than most. He was born in Rohrau, Austria on March 31, 1732. His father, Mathias Haydn, was a wheelwright and a Marktrienter –similar to a village mayor. His mother, Maria Koller, worked as a cook in Count Harrach’s palace before marrying Haydn’s father. Haydn was one of three boys, all of whom pursued …show more content…
In 1803, Haydn began having health issues due to his old age. Over the next six years, the health of Haydn would only deteriorate. He died peacefully in bed at age 77 on May 31, 1809. His funeral was held on June 15 where Mozart’s Requiem was performed. In his lifetime, Haydn wrote many influential pieces. Haydn’s last set of quartets, Op. 76, is widely regarded as the highpoint of his compositions. The second quartet in this set is known as the Fifths, due to the opening falling intervals at the beginning, according to Professor Roger Parker. The movements in this monumental piece are as follows: allegro, andante, menuetto, and vivace. Conferring to Roger Parker, Op. 76 No.1 and No.2 are in “stark contrast”. While No. 1 starts with three huge, expansive notes in a noticeable, public way, No. 2 begins in a serious, almost harsh, dark tone due to the four-note motive heard with the violin, while all other instruments provide a filling accompaniment. This motive is like a theme, for it dictates the first movement, which Parker states is “a hair-stirred pleasure” due to the almost “too-unified” movement. It sounds very put-together, while maintaining a high level of emotion due to the violin. This first movement is in D minor, sonata …show more content…
The two violins and the viola and cells in pairs seem to take turns in telling a dramatic, severe tale. They play in octave unison, working seamlessly with the cello and viola following behind the violins. Parker states that this movement is known as the “Witches” minuet and trio. One can clearly imagine witches creating an evil concoction in black cauldrons with this piece. The last movement is played in D minor in the sonata allegro form. There is another contrast between this and the third movement. When one listens to it, it sounds bizarre, foreign, and yet pastoral. It is considered the character piece, as well as being dubbed “The Donkey”. This string quartet, as well as Op. 76 as a whole, exemplifies the seamless yet dramatic, severe give-and-take of themes between instruments to convey an enthralling tale. The experimentation and innovation Haydn showed throughout his musical career proved to play an important part in developing crucial forms of classical music, such as the symphony, concerto, string quartet, and the sonata. Haydn accomplished a truly arduous task, characterizing and defining classical music in the heart of the renaissance period. Haydn’s music exemplified the style, sophistication, and pureness of the era, immortalizing him as an influential symbol of the Classical

Related Documents

  • Improved Essays

    This piece begins with a tranquil woodwind choir with other instruments gradually joining in. The tempo is andante, as it is moderately slow, yet more of a simple pace. This work takes advantage of dynamics heavily, as it varies from pianissimo with a solo flute to a gorgeous and strong fortissimo dynamic of the whole ensemble. This piece also varies in texture quite a bit, as it alternates between monophonic soloist sections and grand homophonic sections of the whole band. Most of the melodic lines are smooth and legato, yet are disrupted by the pointed and staccato figures of the percussion section that underscore the longer lines of the wind instruments. The key of this piece is major, as it expresses feelings of joy and simple happiness. For a short bit, the piece does vary its texture to polyphonic, as the low brass section takes the melody while the woodwinds and upper brass fill in other parts on top of this. The piece finally concludes with a last grand statement of the theme at a fortissimo dynamic, giving it a sense of finality to the beautiful…

    • 707 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Beethoven, again only introduced the first movement: I. Allegro Moderato. Dr. Yu-Mei Huang (violin), Brendan Townsend (cello), and Dr. Fritz Gechter (piano), were an all absolutely outstanding trio and show cased a beautiful composition of Chamber Music. As being recognized as a student of Dr. Huang’s, it is a great honor to watch her play, the perfect pitch of the notes she plays are so pleasing to hear and her bow stroke is like watching a napkin tied to a string gracefully flying in the air. Professor Townsend’s ability in playing the cello gives off great satisfaction; the way the cello is able to drag out the duration of a notes’ pitch is so beautiful and comes together with the violin nicely. Dr. Gechter’s verse on piano is played throughout the entire piece, allowing the listener to hear the melody throughout the instruments while they work along sides each other transferring the melody to one…

    • 826 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    By completing this tabular analysis on Haydn, we, as a group, were able to break the piece down into sections which gave us a better understanding of the thematic ideas Haydn used throughout his work. It also helped us identify various features about…

    • 1202 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    This piece has “characteristics of classic sonata form, and is similar in energy and length to such concert overtures as Shostakovich’s Festival Overture.” As with a typical sonata form, the piece is broken down into five main sections. The first introductory section features the opening horn fanfare and a full ensemble crescendo into the exposition. Starting at measure four, the first theme is articulated with tutti figures thru many different instruments. Immediately following that in measure twelve, we hear the inversion of that melody in the clarinets and alto saxophone. The inversion is then repeated in the upper woodwinds and in the cornet. The original fanfare, original theme, and the inversion of the theme are then all passed around the ensemble. It is not until measure forty-one until the second theme…

    • 747 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    The first movement of Beethoven’s string quartet Op. 18 No. 4 is an example of a sontata form that Hepokoski and Darcy would refer to as a failed attempt at emancipation from the original minor mode presented in the P theme. Overall, the movement represents the narrative of a tragedy in which we, as listeners, identify with the buoyant major mode presented in the S theme in opposition to the ever-driving, somewhat oppressive minor mode. The major and minor modes are in conflict with one another throughout the movement until, ultimately, the minor mode is able to secure its place as victor. The victory is unexpected considering the fact that the S theme in the recapitulation is in C major and is…

    • 2169 Words
    • 9 Pages
    Superior Essays
  • Great Essays

    Franz Jospeh Haydn was crucial figure within musical history. Born 1732, he was an essential figure in the growth of chamber music and his influence within musical form earned him the name of the father of the classical period.…

    • 1630 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Two violins, one viola, and a cello played Joseph Haydn’s String Quartet, Op. 76, No.3 (Emperor), II in quadruple meter and in the form of one homophonic theme with four polyphonic variations. The theme is introduced by the entire quartet in an conjunct melody that has three unique phrases. The first phrase, “A”, is the first to be introduced and repeated a second time, “A-A”. Phrase “A” moves smoothly from mid to high in ascending and descending conjunct intervals and is repeated. A second unique phrase, “B”, contrasts the repeated first phrase “A-A-B” with two high to low descending conjunct intervals and one descending then ascending conjunct interval that rests on a high note. The third unique phrase, “C”, consists of a new contour that…

    • 350 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The classical period in history falls between the baroque and romantic periods. It was a time of huge change for music because it brought out some of music’s most famous composers such as Beethoven and Mozart. Along with these legendary composers, is Johann Michael Haydn, the brother of another famous classical composer Joseph Haydn. Many historians focus on Joseph’s life, but fail to recognize his younger brother’s famous works and successes. Often, Michael Haydn is known as “the younger brother of Joseph” making his brilliant pieces unnoticed and uncredited for. Michael Haydn, the Austrian composer, had a compelling history that influenced his music and works throughout his life.…

    • 915 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Among the many legends in humanities, Wolfgang Amadeus Mozart stands out for the hundreds of pivotal compositions established throughout his short-life. At age 3, Mozart began his musical education in his childhood home in Salzburg, Austria. His father, Leopold Mozart, a German composer and teacher, acknowledged the rapid advancement of his son’s talent. “‘The miracle which God let be born in Salzburg’ was Leopold’s description of his son” (Sadie 2017). Leopold influenced his son by not only insight and encouragement, but also introducing him to the musical culture of west Europe. After quickly grasping hold of his everlasting talents, he became a genius of all types.…

    • 448 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    His music was seen as a way to calm the storm. The music was so powerful and made citizens believe in their country so much that it can “resist all radical efforts at revolution,” (Dennis, 2002). To make Haydn have more patriotism, on of the Nazi values, the Nazi Government even made fictional accounts about his time in England, and how depressed he was because he missed Germany so much. After he passed away, Nazi newspapers only focused on his composing of the national anthem and mentioned nothing about his thousands of other pieces to maintain the nationalism in his music (Dennis,…

    • 646 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    11, and in particular the first movement, which made the most lasting impression on me. An interesting characteristic of this piece is that it was composed for an ensemble consisting of piano, clarinet, and cello. I was at first suspicious about this, but soon realized that the absence of brass, and percussion instruments in no way detracted from the effectiveness of the piece. The homogeneity of the timbre was quite satisfying, as the level of communication was greatly enhanced by the intimacy and familiarity of the sound. The movement opened dramatically with the entire ensemble playing together. The instruments moved from one chord to the next, as the dynamics gradually decreased, which fueled my anticipation of a significant event. Sure enough, after a pause, the piano made a dramatic entrance by playing the theme, while the warm resonating sound of the cello enveloped them in the background. The movement became lively and energetic, as the pizzicato cello and the short piano strokes underscored the principal…

    • 508 Words
    • 3 Pages
    Improved Essays
  • Great Essays

    Johannes Chrysostomus Wolfgangus Theophilus Mozart was an Austrian composer and pianist that created a variety of concertos, operas, symphonies, and sonatas. Many of these changed the way classical music was written and even performed. Wolfgangus Theophilus Mozart was capable of playing many instruments and he began playing in public at the age of six. In the years following years Mozart composed hundreds works of art that were marked both by fascinating emotions, and sophisticated textures. Mozart was born into the world of music being as his father was a successful composer himself. At a very early age he began to show understanding of musical concepts such as tempo, chords, and tone. Wolfgangus Theophilus Mozart began as a child prodigy…

    • 1643 Words
    • 7 Pages
    Great Essays
  • Superior Essays

    Both Joseph Haydn and Wolfgang Amadeus Mozart were the representative composers of the Classical music which had far-reaching influence of the future generation. The achievements of Haydn symphony are extremely high, and Mozart made outstanding contribution on opera and piano concertos. There are stylistic similarities and differences in these two composers. I will illustrate the life experience, form, and performance characteristics by using Haydn Keyboard Sonata Hob.50 in C major and Mozart Keyboard Sonata K.333 in B-flat Major to demonstrate it.…

    • 1228 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    Elvira Madigan

    • 736 Words
    • 3 Pages

    Movement no.2 starts with many instruments playing in unison as a background of cellos and bass drone a pattern. As the score progresses, the flute, oboes, bassoons and horns play their part conveying the song a consonance feel. The ensemble is not complete without the piano to play the melody and solo in this enriching…

    • 736 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    111, I found the first movement to be extremely interesting, especially because of the time signature that it was written in. It appears that the first movement is written in 9/8, which I was not expecting to hear. The first movement puts a lot of the focus onto the cello, which I enjoyed listening to. The sound of the cello was prominently featured, which I enjoyed. It seems that the violins imitate the sound the cello is producing about twenty seconds into the piece, which creates almost a call and response type of effect. Tension seemed to have developed in this piece rather quickly, which is usually a theme reserved for the middle of a piece. It is interesting to see a different approach, where tension and possible conflict can be introduced earlier on in the music. The first section of the first movement ends on a note that does not allow the piece to resolve. It leaves the listener anticipating what is yet to come in the following…

    • 820 Words
    • 4 Pages
    Improved Essays