According to Leibert (2002), this is perhaps because many people fear the process of dying, and equally too, the state of being dead or non-being. However, the concept of death and dying has received, and still continues to receive fantastic depictions in the media. As expected, these depictions are crafted in a world of fantasy that provides the leeway for viewers to digest the subject of death in the third person, rather than in the first. This paper establishes that in the motion film Titanic, death and dying exude mixed feeling in the characters. There are those characters who frantically depict the need by humanity to evade dying and death altogether. More specifically, there are those characters who realize the futility of fighting death, especially when so little can be done to remedy the situation, and end up resigning themselves to the stillness of
According to Leibert (2002), this is perhaps because many people fear the process of dying, and equally too, the state of being dead or non-being. However, the concept of death and dying has received, and still continues to receive fantastic depictions in the media. As expected, these depictions are crafted in a world of fantasy that provides the leeway for viewers to digest the subject of death in the third person, rather than in the first. This paper establishes that in the motion film Titanic, death and dying exude mixed feeling in the characters. There are those characters who frantically depict the need by humanity to evade dying and death altogether. More specifically, there are those characters who realize the futility of fighting death, especially when so little can be done to remedy the situation, and end up resigning themselves to the stillness of